In Line with Nature Juxtaposition: A Mixed Media Drawing Adventure with Line, Shape, and Texture - Inspired by Cajal's Observations

Santiago Ramón y Cajal, the renowned Spanish neuroscientist, created an extraordinary body of work that showcased his unique ability to observe and record the intricate details of nature through drawing. Instead of approaching his drawings from a designer's perspective, Cajal relied on perceptual observation to uncover the inherent design of nature. His drawings served as a tool to observe, discern, and recount microanatomy structure, capturing the essence of nature's complexities with actual lines and implied space. Cajal's artistic philosophy centered around the belief that he was at the service of nature – recording and reporting the truthfulness of sight's journey.

Inspired by Cajal's attention to detail and descriptive lines, this blog post will explore an exciting mixed-media drawing assignment that encourages artists to closely observe and capture nature's beauty through line, shape, and texture. We'll explore the role of line variation and texture in adding visual dynamism and the importance of capturing the inherent "movement" or "gesture" of your chosen object. So, let's embark on this artistic journey together and uncover the truthfulness of sight's journey, just as Cajal did.

Introduction 

Nature has always been a source of inspiration for artists. In this blog post, we will explore an exciting mixed-media drawing assignment that brings together found objects from nature and your creative inventiveness. This project will utilize line, shape, and texture to create a captivating and descriptive piece. We'll also study the role of line variation and consistency in adding visual dynamism and the importance of capturing the inherent "movement" or "gesture" of your chosen object. So, let's dive into the details and embark on this artistic journey together!

Above, Dawn Hunter's study of an original scientific drawing of Cajal's housed at the Instituto Cajal. Photo © by Dawn Hunter.

The Assignment

Our goal is to create a mixed-media drawing that incorporates a found object from nature, juxtaposed and overlapped with imagery from one of your shape and texture inventories. The final piece should demonstrate your ability to engage the edges of the composition fully, create a descriptive drawing with overlapping images and lines, experiment with the juxtaposition of shape and texture, and participate in a visual critique process.

Materials You'll Need:

1. Found object from nature
2. Charcoal
3. Pencils
4. Ink
5. Two sheets of 18" x 24" drawing paper

The Process: Begin by developing four thumbnail sketches on a quartered sheet of paper. These sketches will serve as the foundation for your final piece, so be sure to measure and divide the paper evenly using a ruler or by neatly folding it. 

Above, Renee's thumbnail drawings, pastel, marker, charcoal, India ink and graphite on paper, 18" x 24."

Above, Cisnes Idrovo's thumbnail drawings, marker, charcoal, India ink and graphite on paper, 18" x 24."

Above, Katlin Jeffcoat's thumbnail drawings, pastel, marker, charcoal, India ink and graphite on paper, 18" x 24."

Once your sketches are complete, select one to develop into your final drawing. As you work on the piece, consider the following strategies and questions:

1. Composition and Format: Pay close attention to the edges of the composition and the placement of your found object. Consider whether a vertical or horizontal format would be more visually pleasing.
2. Line Variation and Texture: Experiment with overlapping lines, varying their size, direction, speed, and degree of value. This technique will enhance the illusion of texture, adding depth and descriptiveness to your composition. Reflect on how line variation and texture contribute to visual dynamism in your artwork.
3. Capturing Gesture and Movement: Think about the dominant "gesture" or "movement" inherent in your found object – if it were moving with velocity in a particular direction, which way would that be? Consider the factors that created this movement, such as the growth of a branch or the impact of wind. Contemplate the effects of enhancing this movement with texture and line direction to create a more engaging and visually striking piece.

Above, Renee Kinney's final drawing, graphite, India ink, charcoal and pen, 18" x 24."

Above, Cisne Idrovo's final drawing, graphite, India ink, charcoal and pen, 18" x 24."

Above, Katlin Jeffcoat's final drawing, marker, pen, India ink, and graphite on paper, 18" x 24."

Conclusion

This mixed media drawing assignment is an excellent opportunity to explore the natural world and develop your artistic skills. By focusing on line, shape, and texture, as well as considering visual dynamism and the inherent movement of your chosen object, you'll create a unique and descriptive piece that showcases your creativity and highlights the beauty of nature. So, gather your materials, venture outdoors to find your inspiration, and start sketching your way to an unforgettable artistic experience!

To view more examples of this project, visit my teaching portfolio website, here.

Above, Katlin Jeffcoat's Texture Inventory drawings, India ink, graphite, and charcoal on paper, 18" x 24." project based on Mary's Stewarts Texture Inventory exercise.

Above, Cisne Idrovo's  Texture Inventory drawings, India ink, graphite, and charcoal on paper, 18" x 24." project based on Mary's Stewarts Texture Inventory exercise.

Above, Renee Kinney's  Texture Inventory drawings, India ink, graphite, and charcoal on paper, 18" x 24." project based on Mary's Stewarts Texture Inventory exercise.

Six Month Studio Round Up

I love spending my summers being creative, whether it's working on art projects in my studio or doing my daughter's hair in pretty braids and weaves. What I look forward to the most in my studio practice is the feeling of satisfaction when I'm done. One of my favorite places to go plein air painting is the botanical gardens at the Riverbanks Zoo and Garden. I forget about the sweltering summer heat when I'm painting or drawing the landscape.

Darcy and her back-to-school summertime braids weaved by yours truly, and my White Daisy mixed media drawing completed at the Riverbanks Zoo.

Spring Exhibitions

University of South Carolina's academic year ended with a "high" for me this past spring. My artwork was featured in three exhibitions: one in California at the Cabrillo Gallery, Cabrillo College, of the greater Los Angeles area. It was a group exhibition, and the show was titled Who We are Portraying. The exhibit explored identity and how individuals represent or express themselves publicly.  

The other two exhibitions I participated in were in South Carolina. Both were 10th-anniversary shows. The first one was a salon exhibition celebrating the 10th Anniversary of the publication, The Jasper Project. The show and celebration were both held at 701 Whaley's Pool Hall space. Laura Garner Hine curated the exhibition. Other artists selected to participate in the show included Bohumila Augustinova, Eileen Blythe, Mike Dwyer, Michael Krajewski, Cait Maloney, and Lucas Sams, to name a few. 

 

The second exhibition 10th-anniversary exhibition I participated in this past spring was the ArtFields 10th-Anniversary competition exhibition. Located in Lake City, South Carolina, ArtFields is a nine-day festival that features up to 400 works of art at 40 venues in which on can view the artists selected to compete from the southeast region of the United States. Participating artists are juried each year by a prestigious panel of jurors. The 2022 ArtFields juror panel included:  Venessa Castagnoli, Executive Director of Ogden Contemporary Arts; Charles Eady, Contemporary Artist and Author; Jean McLaughlin, Arts Administrator, Educator, and Artist; David Reyes, Curator of Exhibitions and Collections, Huntsville Museum of Art; and Jaime Suárez, Sculptor, Architect, Educator, and Ceramicist.

Top, detail of one of The Darcy Inventory drawings, mixed media on paper, 11" x 14."  The Darcy Inventory, center, installed at The R.O.B. at this year's 10th anniversary ArtFields competition, Lake City, SC. 

Summer Fun

Darcy won a weeklong spot in the Walk on the Wild Side World Explorers camp in Greenville this summer. Campers dissected owl pellets, learned about various estuary habitats, and met a tarantula, chinchilla, and python at the Greenville Zoo. When Darcy was not in camp, we spent our time either swimming in the hotel pool or exploring the downtown area of Greenville, South Carolina. 

Check out our South Carolina Sunshine Instagram reel of the week here!

Darcy, outside of World Explorers camp, Greenville, SC.

Art of Neuroscience, Netherlands Institute of Neuroscience

I received an Honorable Mention for my artwork Dueling Cajals in the prestigious international sci-art competition, Art of Neuroscience. This year's competition jurors were Dr. Bevil Conway, Dr. Flora Lysen, and Dr. Sabine Niederer.

 

Netherlands Institute for Neuroscience Statement: 

"This submission struck the jury because of its emphasis on the history of neuroscience. The work highlights how any scientific process, particularly scientific image-making, can be influenced by a multilayering of cultural and historical factors. The jury admired how diverse periods in time from this historical perspective were weaved into one image, and appreciated the effort that went into investigating the sources that Cajal was exposed to. Dueling Cajals serves as an important reminder for neuroscientists to recognize history and its influence on their work. " - AoN, NIN, NL

My drawing was created by referencing primary sources from Cajal's life and scientific research while serving as the Fulbright España Senior Research fellow at the Instituto Cajal. Below this paragraph is an Instagram reel. In the reel, I am giving the viewer a glimpse into the creative process and some of the items (Cajal's scientific regeneration drawing and the original mold of his death mask) that I researched in creating my drawing.

Dawn Hunter, Dueling Cajals, Art of Neuroscience Instagram reel.

My artwork above, Dueling Cajals, mixed media on paper, 11" x 14."

The primary sources that I reference from the Instituto Cajal, Madrid, that inspire the Dueling Cajals drawing, left an original nerve regeneration scientific drawing completed by Cajal and the original death mask mold.

Cajal Club

It is with immense gratitude and a touch of modest pride that I share the news of my election to the esteemed Cajal Club Board of Directors. The trust they have placed in me to design and create a new website for their illustrious organization is both exhilarating and deeply humbling.

My life was full of hard work, collaboration, and feedback from and with top Neuroscientists during the transition from July to August. The new website is now operational. This is an ongoing endeavor; a garden that will continue to flourish and grow. More content is yet to come, so stay tuned!

The new website, designed by yours truly, can be found here: cajalclub.org.

Closing

We have had some wonderful adventures so far this year and we are looking forward to more! We feel honored and blessed by all of our opportunities.

Have a wonderful fall everyone and check back with us again soon! XOXO

Always,

Dawn

Portrait of artist Dawn Hunter, taken by her daughter Darcy, July, 2022.

Scientific Intuition: Lessons in Fundamental Neuroscience, the landscape and Ramón y Cajal

A busy and an inspiring month in the studio.  I am advancing many works while simultaneously enriching my practice by auditing a Fundamental Neuroscience class.  The drawings I am posting are comprised of completed works and drawings that are in progress.  I continue to increase my understanding of Ramón y Cajal and his work by intertwining my study of neurons, the landscape and the portrait.

Fundamental Neuroscience class notes, ink and pen on paper, 11" x 14"

Landscape study at the Nelson Atkins Museum, marker and pen on paper, 11" x 14"

Silveria Ramón y Cajal bathed in Goethe Color Theory, acrylic and ink on paper, 11" x 14"

Fundamental Neuroscience class notes, ink and pen on paper, 9" x 12"

Landscape study by Cooper Library, marker on paper, 11" x 14"

Santiago Ramón y Cajal bathed in Goethe Color Theory, acrylic and ink on paper, 11" x 14"

Drawing in progress:  Fundamental Neuroscience class notes, ink and pen on paper, 9" x 12"

Drawing in progress:  Fundamental Neuroscience class notes, ink and pen on paper, 9" x 12"

Intellectual work is an act of creation. It is as if the mental image that is studied over a period of time were to sprout appendages like an ameba—outgrowths that extend in all directions while avoiding one obstacle after another—before interdigitating with related ideas.   

-Santiago Ramón y Cajal