Bridging Art and Neuroscience at the Society for Neuroscience's Annual Meeting, 2023

 The Society for Neuroscience's 2023 Annual Meeting in Washington, D.C., was a beacon for the neural sciences, uniting over 30,000 global attendees. It epitomized SfN's commitment to scientific collaboration, career growth, and networking. The conference's heart lay in its Featured and Special Lectures, where 13 Special and 4 Presidential Lectures showcased the pinnacle of neuroscience thought.

SfN 2023, Walter Washington Convention Center, Washington, DC

Keynote presentations spanned a diverse range of topics. From Mala Murthy's insights on Drosophila's neural networks to Sarah J. Tabrizi's breakthroughs in genetic therapies for neurodegenerative diseases, each session expanded the boundaries of neuroscience.

The following days continued the trend with Anne Schaefer's discussion on neuron-microglia circuits and Erin M. Schuman's exploration into synaptic cell biology. Joanne E. Berger-Sweeney's journey from bench scientist to college president brought a narrative of resilience and change to the domain of neuroscience and education.

Clinical neuroscience took center stage with Carolyn Rodriguez's exploration of OCD treatment avenues, while A. James Hudspeth's lecture on the mechanics of auditory hair cells revealed the complexities of hearing. The innovations in neuroscience tool development were highlighted by Karl Deisseroth's talk on channelrhodopsins.

Gilles Laurent's exploration of brain evolution and Judy Illes's address on neuroethics emphasized the expanding scope of neuroscience, touching upon cultural and environmental considerations. The role of astrocytes in neural circuitry was illuminated by Cagla Eroglu, and the intricate relationship between empathy and neural circuitry was presented by Hee-Sup Shin.

The meeting's final day was marked by Yang Dan's lecture on sleep regulation, Beatriz Rico's dive into cortical circuitries, and Mark M. Churchland's discussion on population-level neural computations. Xinzhong Dong demystified the sensation of itch, presenting new therapeutic directions.

Exhibitors, left, and poster presentations, right, Society of Neuroscience 2023

The intersection of art and neuroscience was exemplified by the presence of Ella Maru Studio co-founded by Sasha and Ella Marushchenko. Ella's scientific illustrations and animations brought visual representation to complex scientific concepts. Her story, a tapestry of resilience, passion, and the power of visual communication, was a highlight of the conference's exhibitor hall. You can read more about Ella Maru Studio in a comprehensive SC People interview on www.dawnhunter.com, the home of the webzine South Carolina Sunshine.

Sasha and Ella Marushchenko at the Ella Maru Studio exhibit, Society of Neuroscience 2023

The Art of Neuroscience exhibition featured highly respected and renowned artists like Greg Dunn, Michele Banks, and Laura Bundesen, whose diverse mediums and styles offered attendees a multifaceted view of neuroscience. Dunn's work, in particular, with its Asian influences and innovative reflective microetching, has made a significant impact across the neuroscience community.

In conclusion, Neuroscience 2023 was a testament to the synergistic potential between scientific discovery and artistic expression. The meeting underscored how art can elucidate and magnify our understanding of the brain's complexities, offering a dual celebration of scientific progress and the diverse, creative modalities through which we can appreciate the neural wonders.

Art of Neuroscience exhibitor Greg Dunn with his artwork, SfN 2023

Greg Dunn, Brainbow Hippocampus in Blue and Gold

Art of Neuroscience exhibitor Laura Bundesen with her artwork, SfN 2023

Laura Bundesen, Brilliant Brain Pin Tree Pin

Art of Neuroscience exhibitor Michele Banks of Artologica with her artwork, SfN 2023

Michele Banks, Cosmic Exploration Brain, watercolor on paper

United by Science: The Historic Twinning of Cajal and Golgi's Hometowns

In a harmonious blend of science, culture, and history, the picturesque town of Petilla de Aragón, where Nobel laureate Santiago Ramón y Cajal was born, is set to be twinned with Corteno Golgi, the Italian hometown of his esteemed colleague and fellow Nobel Prize winner, Bartolomeo Camilo Emilio Golgi. This remarkable union takes place during the Ramón y Cajal Research Year (Año Cajal), a celebration of the triennium that honors the legacy of these two groundbreaking scientists of the 20th century.

On March 17 and 18, the twinning festivities will unfold, offering a medley of cultural activities that unite the families and legacies of Ramón y Cajal and Golgi, who were jointly awarded the Nobel Prize in Medicine in 1906. The event commences with the inauguration of the exhibition 1903 - Viaggio in Italia, showcasing the artistic side of Cajal through a captivating collection of photographs from his Italian sojourn. The following day, visitors will be welcomed to the birthplace of Santiago Ramón y Cajal, where a commemorative plaque will be unveiled, and the title of Favorite Son of the Villa will be posthumously bestowed upon him. This two day event will culminate in an extraordinary municipal plenary session, where the mayors of both towns will sign the twinning agreement, formalizing their commitment to preserving these scientific giants' heritage. Celebrating this historic moment intertwines the legacies of Ramón y Cajal and Golgi and experiences the inspiring fusion of science, art, and community. (Blog post continues below.)

Cajal and Golgi, acrylic and ink on paper, 11" x 14"

In this blog post, I invite you to traverse the fascinating history and legacy of Santiago Ramón y Cajal while also exploring the inspirational and exquisite landscapes of his hometown from an artistic perspective. I have often conceptualized Cajal's biography from a surreal perspective within my project Aesthetic Instincts: the Intersection of Art and Science in the life of Santiago Ramón y Cajal. Plus, during visits to Cajal's birthplace, I am often compelled to create Plein air paintings that encapsulate the town's natural allure. These pieces and additional works are featured in my latest monograph, Cajal's Canopy of Trees.

Above is my artwork, Cajal and Golgi, - a vivid portrayal of the esteemed scientists on horseback, enveloped by a lush, verdant landscape. At the heart of this imaginative composition lies Cajal's emblematic drawing, reflecting the intriguing contrast between their theories about the brain's anatomy. Accompanying this piece, below, you'll find a pair of pages from my custom and surreally crafted accordion sketchbook, which analyzes the formative years of Cajal's life through a biographical lens, capturing the essence of his childhood and its impact on his illustrious career.

Accordion Sketchbook page of Petilla juxtaposed with neurons in the vines, acrylic and ink on paper, 5.5" x 13"

Accordion Sketchbook page of Cajal's birthplace in Petilla juxtaposed with neurons, acrylic and ink on paper, 5.5" x 13"

Featured lastly on this post is an example of one of my Plein air landscape paintings from my monograph, Cajal's Canopy of Trees. A publication that as a collection is a tribute to the eminent scientist and a visual odyssey through the captivating scenery that fostered his inquisitiveness and intellect. For those interested in further exploring the artistic aspects of Cajal's world, the monograph provides an immersive experience of the unique environments that significantly influenced the life of this remarkable individual. (Blog post continues below.)

Petilla de Aragón in the summer, ink and acrylic on paper, 11" x 14"

In conclusion, the historic twinning of Santiago Ramón y Cajal and Bartolomeo Camilo Emilio Golgi's hometowns is a testament to their enduring legacies and their profound impact on the world of science. In this article, we've looked into the cultural events and artistic journeys that have given us valuable insights into the lives of these trailblazing individuals. Their remarkable careers were greatly influenced by the vibrant environments they emerged from. As we join the global community in celebrating their achievements and the unique connections between their places of origin, let's also draw inspiration from their unwavering quest for knowledge and the inspiration that emerges when art and science intertwine.

• You can learn more about Dawn Hunter's monograph, here, and you can more about Petilla's twinning event, here.

Dawn Hunter | portrait of the visual artist in her fifties

In James Joyce's novel, A Portrait of the Artist as a Young Man, the narrative follows the journey of Stephen Dedalus, a budding artist grappling with his place in the world and cultivating his artistic identity. This modernist masterpiece is renowned for its inventive language and for depicting its main character's psychological and ethical growth.

From this literary work, mature creatives can glean that the metamorphosis into an artist encompasses a voyage of self-exploration and self-fashioning.

Attaining contentment and ease within oneself at any life stage is vital to one's overall wellness and can contribute to a more gratifying, purposeful existence.

Life is full of highs, lows, and transitional periods; however, it is crucial to remember that age remains a mere numeral and that it is never too late to chase your aspirations and objectives. Numerous people find a renewed sense of direction and focus as they age and view aging as an opportunity for reinvention and to make positive life changes. Often people will choose to prioritize their personal development and joy. 

Remember that there's no "right way" to be a fabulous 50-something (or any age, for that matter). It's so important to appreciate our own unique qualities, talents, and passions. If you're feeling excited about this chapter in life like I am, that's amazing! Let's keep celebrating our individuality and living life to the max! 

My Story

Age has never dictated the course of my life. I've always pursued a creative path; each day spent in my studio feels timeless. This creative space fosters a connection between various moments and locations throughout my life, all within the artistic process. Additionally, I teach first-year college students who are full of energy, creativity, and innovation. These young individuals inspire and graciously invited me into their lives through our shared artistic pursuits.

A hurdle that older female artists might encounter is ageism, which is discrimination based on age. This can manifest in various ways, such as being overlooked for opportunities or being treated differently due to one's age.

Another obstacle older female artists may face is inadequate representation and support for their work. It is not unusual for them to feel as if their artwork doesn't receive the same level of attention or acknowledgment compared to their younger peers.

Yet, despite these obstacles, numerous older female artists remain committed to producing and showcasing their art. They may discover support and fellowship within artistic circles and could even find that their age and life experiences provide them with a distinct viewpoint and expression in their craft. (Above, a portrait of Dawn Hunter. Photo captured by Darcy Phelps.)

My Inspiration

Yayoi Kusama is a Japanese artist who was born in 1929. She has achieved significant success and has gained a great deal of recognition as an older female artist. Her career has spanned over 70 years. During that time Kusama earned a reputation as one of the world's most significant and influential living contemporary artists. 

Kusama's artwork is characterized by its vivid colors, recurring patterns, and enveloping installations that frequently involve performance and interactive aspects. Her creative endeavors have spanned multiple mediums, such as painting, sculpture, installation art, and literature.

Above, self-portrait of Dawn Hunter at the Yayoi Kusama exhibition in Atlanta, Georgia. Left, the Peep Show light installation by Yayoi Kusama, photo by Dawn Hunter.

Throughout her illustrious career, Kusama has displayed her artwork in galleries and museums across the globe, captivating a vast and loyal fanbase. In the past few years, her prominence and accomplishments have soared even higher, as her masterpieces have taken center stage in prestigious exhibitions and fetched jaw-dropping sums at auctions. Now in her 90s, Kusama remains a creative force, continuing to produce and showcase her art, enthralling and enchanting people worldwide.

My favorite living artist is Kusama, and I make it a point to travel and attend her shows whenever I can, like to the Bronx Botanical Gardens or High Museum of Art. When her exhibition was on view at the High Museum in Atlanta, GA, I actually bought a scalped ticket to attend. The show had sold out, and people were wrapped around the block in tents in hopes of receiving one of the daily tickets held. 

*Ticket scalping has become a more common practice during the past twenty years because of the internet. Most scalping incidents now take place through online sales transactions. Currently, there are no federal laws that prohibit the scalping or resale of tickets.

Above, the obliteration room at the Yayoi Kusama Exhibition at the High Museum, photo by Dawn Hunter.

Closing

2022 has been an excellent year for me creatively, and I was productive - generating many new works of art throughout the year. I have been honored by the recognition and success of my illustrations, drawings, and paintings about the esteemed neuroscientist Santiago Ramón y Cajal and my daughter, Darcy. I have exhibited throughout the US this year, from Art Fields in Lake City, SC, Verum Ultimum, Portland, OR, and the Cabrillo Gallery, Los Angeles - to name a few 2022 exhibition highlights. 

I feel sincere gratitude for being the first artist to be elected to the Board of Directors of the prestigious Cajal Club and for the distinctions of having my artwork reproduced and written about in Scientific American® and the Consilience Journal.

I look forward to opportunities and the creative journey ahead of me in 2023, and as the sayings go, "age is just a number," and "being fifty is nifty."

Portrait of Dawn Hunter taken by her daughter Darcy as they prepared the Darcy Inventory for the 2022, 10th Anniversary Artfields exhibition, Lake City, SC.

Art of Neuroscience Award and Scientific American Feature

I am an artist who uses the biography of Santiago Ramón y Cajal and his neuroscience research as the inspiration for my artwork. Earlier this year, my artwork, Dueling Cajals, won an Honorable Mention in the international Art of Neuroscience competition out of the Netherlands. I am honored and speechless to have my artwork featured in Scientific American in an article about the competition. In the article, I share my artwork with the writers and editors (Fionna M. D. Samuels and Liz Tormes) and how the Cajal Legacy at the Instituto Cajal and neuroscience inspire my art about Cajal. 

 

Above my artwork, Dueling Cajals, receives Honorable Mention in the 2022 Art of Neuroscience 

International competition.

My artwork is based on my thorough study of Cajal's life and his scientific drawings, which I conduct in collaboration with leading experts in the neuroscience field at the National Institutes of Health, Bethesda, MD, and Instituto Cajal, Madrid, Spain. I have created over 300 works about Cajal in my ongoing project. My creative project aims to help increase public awareness of the wonders and how the process of drawing can create unique insight and interpretations for scientific research. Overall, my series about Cajal is biographically informative about him and his drawing process.

Me with my primary source references for my work Dueling Cajals: Cajal's Nobel Prize, his original scientific drawing of regenerative nerve cells and his death mask. All of these items are housed at the Instituto Cajal, Madrid, Spain.

Historical Background about Cajal

Santiago Ramón y Cajal (1852-1934) was born in a small town in Spain. His father was a doctor, and Cajal grew up interested in science. He went to medical school, but he also studied biology and physics. He studied the brain using histological staining methods, microscopes, micrographs, and drawing. He discovered how different parts of the brain work. Cajal was also a great teacher and helped train many scientists who would go on to make significant contributions to neuroscience, like Fernando De Castro (arterial chemoreceptors), Rafael Lorente de Nó (audio-vestibular nuclei and system), and E. Horne Craigie (zoologist and author).

Along with Camillo Golgi, Cajal won the Nobel Prize for his work in 1906.

He did his seminal work in the late 1800s and early 1900s. He is known for problem-solving and innovation, like altering and improving the Golgi Black Reaction stain, which allowed him to visualize the nervous system in unprecedented detail. His discoveries continue to be the basis for our understanding of the brain.

One of Cajal's most important contributions was his development of the Neuron Doctrine. This theory states that the nervous system comprises individual cells called neurons. Santiago Ramón y Cajal's work on the neuron doctrine helped establish neuroscience as its scientific discipline.

Cajal, was an absolute genius, he has left a profound impact on neuroscience. He was the trailblazer for the neuron doctrine; his work was like this beacon, guiding our understanding of the brain's mysterious labyrinth. Cajal is just this pivotal force in neuroscience history. Even now, scientists and artists can't help but study and admire the incredible things he's discovered and are mesmerized by the beauty of his drawings.

It's wild to think about how much Cajal's work has shaped the field of neuroscience! His brilliant investigation into the nervous system's anatomy? A total game-changer. It's like he took a paintbrush and reimagined the canvas of our understanding. Because of him, neuroscience became its unique masterpiece, and he paved the way for many discoveries we're still making today. Even modern neuroscientists continue to reference his work, ensuring his legacy lives on for generations.

Cajal's discoveries about the brain's structure and function are like these vibrant colors, leaving a lasting impression on the field. And we're still diving into his work today, using it to make headway in figuring out neurological disorders. It's honestly so inspiring. Cajal's work is like this beautiful testament to the power of science, and it shows how vital curiosity and creativity are when we're chasing after our research.

Conclusion

I have enjoyed making artwork about Cajal's life and histology research. I am honored to have my work receive an Honorable Mention Award in the Art of Neuroscience competition and delighted that it was featured in Scientific American. To learn more about my project about him, visit my website devoted to my Cajal project, Dawn Hunter Art,™ | Cajal Portfolio.

My drawing, Four Cajals, marker and pen on paper, is based on a black and white self-portrait photo montage created and printed by Cajal. I added the color based on a color harmony system to my drawing.

Video

Below is a video that documents my process Creative Process Video for the Artwork Dueling Cajals:

Mentorship and Loss

Ah, you know, being a college art student is such an adventure! You've got that snazzy studio space to create your masterpieces, but it can feel lonely sometimes. I can't stress enough how crucial it is to have a mentor in your college art studio. They're like a lighthouse in a stormy sea of creativity! 

Mentors, they're like these magical beings who guide you, give feedback on your work and help you network with other artsy folks. The hallmark of a good mentor is excellent listening skills balanced with professional experience and generosity. Having someone committed to providing quality and consistent feedback nurtures your creative present and future. 

Let me tell you where to start if you're looking for a mentor.

First up, your professor; if there's a professor you genuinely admire and who knows their stuff about your preferred art form, they might be the mentor of your dreams! Ask if they can spare some time regularly to chat about your work and offer their insights.

Next is the college art gallery; those gallery staff members are usually eager to gab about art with students. If there's an artist or style you're really into, ask a staff member if they can point you toward a potential mentor. 

And remember local artists! Your town or city is probably teeming with artists who'd be thrilled to mentor a budding college student. Check out local galleries and studios, and don't be shy—say hello to and regularly interact with the artists of your community. Having a mentor in your college art studio can be transformative for you creatively but also set you on a productive career path. So, reach out and ask for help! 

My Mentors

During my college years at the Kansas City Art Institute, I was never shy about reaching out to professors. I was lucky in college, I had two great mentors who shaped my artistic practice profoundly: Wilbur Niewald and Shirley Luke Schnell.

Wilbur Niewald

Wilbur Niewald died this past spring at the age of 97. He live his entire life in Kansas City, and no one has painted the city as frequently as he did. His Plein air works could rightfully be called love letters to the city.

Wilbur earned bachelor and master degrees from the Kansas City Art Institute. He was a member of the painting faculty for 43 years, chaired the painting department from 1958 to 1985, and was a respected and well known painter throughout the United States. 

In 1992, he retired. He remained devoted to his artistic practice and he spent hours each day, often six days a week, painting outdoors in Loose Park or the West Bottoms or in his studio during his retirement.

One of the things I liked to do when visiting Kansas City in the summer was to visit him while he was creating his Plein air artworks. I would find him passionately painting away at his easel near the tennis courts at Loose Park in Kansas City, Missouri, wearing his well-known attire: a straw hat, denim shirt, and blue jeans.

Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."

I took Wilbur's drawing classes most semesters while I was in college. Every class was always the same, with one instruction: "Draw what you see." I found the experience meditative and relaxing, and I also developed a deep appreciation for working from observation.

Wilbur always took me seriously and respected me as an artist, which profoundly impacted me the most. I took myself seriously because of that. He understood my potential more than I did. As a sophomore, I had a conversation with him about switching my major from Painting to Fibers. He made a compelling argument to other faculty and me in the program about why I should not switch my major. I stayed because he convinced me.

He drew and painted from direct observation beginning in the 1970s. It never mattered to him what the condition of weather was. Once when our drawing class was outside drawing the landscape in Plein air, it began to rain. Most students began packing up and heading back to the classroom, but Wilbur exclaimed, "Don't leave; this is great. Change your drawing as the situation changes." He only convinced four of us to stay.

Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."

Shirley Luke Schnell

There's nothing quite like a quirky art professor to get students excited about creativity. Shirley Luke Schnell was one of those teachers. With her whimsical, soft-spoken voice and eccentric clothing, she always seemed to be on the verge of levitating above all of us in the Foundations studio. But somehow, she always managed to bring unique and memorable insight to the studio practice, and her students always seemed inspired and to learn a lot.

Even though she was different than anyone else you'd ever meet, her students connected with and loved her. They knew that she cared about them and that she wanted them to succeed. She was always pushing them to be their creative limits with the concepts of her assignments. This generated growth and new perspectives on what is or could be.

Shirley is a true original, and in the classroom, she was the perfect example of how being different can be a good thing. After Foundations, I reached out to her for critiques of my paintings and help with my graduate school applications. She was fully invested and took time during her weekends to help me write my application essays with clarity. I was fortunate to have her mentorship after college, too. We became close friends, and she has been present for the significant milestones of my life. Such as visiting me in London during my residency at the Royal Academy of Arts and attending my wedding.

Above, a digital iPad drawing I created of Shirley during one of my visits to her home.

Embracing Change: The Journey with Alzheimer's

As we grow older, it's not uncommon for memory to fade, impacting both ourselves and our dear ones. When it comes to Alzheimer's, this shift can be particularly tough on relationships. I remember my incredible mentor, Shirley, who was officially diagnosed with Alzheimer's back in 2013. 

Looking back, he signs were there even before her diagnosis—visible in her actions and words. Today, she's reached a non-verbal stage as the disease continues its progression. Though she's still with us, Alzheimer's has taken away so much. Let's cherish our memories and support those facing this journey.

1. Understanding Alzheimer's: A Battle of the Mind 

Alzheimer's, one of the most common types of dementia, has touched the lives of over 5 million Americans. As a neurodegenerative disorder, it slowly erodes our memory and cognitive functions, making every day a struggle. Despite the efforts of researchers, the cause is unknown. Its cause is theorized to be a blend of genetic and environmental factors. The cure remains undiscovered.

2. Recognizing the Signs: Encountering Alzheimer's Symptoms

Living with Alzheimer's can be an incredibly personal and unique experience, as the symptoms manifest differently for everyone. Yet, some common threads bind these journeys: the challenges with memory, thinking, and communication and the shifts in mood and behavior. 

Physical symptoms like trouble walking, dizziness, and appetite changes also make their presence known, adding to the daily battles faced by those with Alzheimer's.

3. How does Alzheimer's disease affect relationships?

Alzheimer's disease can be heart-wrenching, profoundly affecting our relationships with loved ones. Those with this condition might withdraw from socializing, struggle to recall names or faces, and even become disoriented or agitated. As friends and family, it's painfully difficult to watch someone we care for seemingly disappear from us.

But let's not forget that beneath the disease; their hearts are still capable of feeling love and affection. We must keep embracing them, even when communication becomes a challenge. Engage them in activities they've always loved, and practice patience and understanding. Together, we can make sure they never feel alone in their fight.

Above, a digital iPad drawing Shirley created, after the onset of Alzheimer's, of her cat during one of my visits to her home.

Loss

Losing a mentor—whether through death or illness is difficult. 

Whether it hits you like a bolt from the blue or you see it coming, the passing of a mentor can feel like a shock. You may feel a great sense of emptiness after losing someone like the North Star guiding your ship, helping you grow and learn!

When a mentor leaves this world, it's easy to feel adrift and unsure. Let's remember that your mentor would want you to continue and keep growing creatively. 

It is essential to pause, allow yourself to grieve, and then remind yourself that your mentor would be cheering you on to keep putting one foot in front of the other and pay it forward by mentoring a younger artist yourself!

Six Month Studio Round Up

I love spending my summers being creative, whether it's working on art projects in my studio or doing my daughter's hair in pretty braids and weaves. What I look forward to the most in my studio practice is the feeling of satisfaction when I'm done. One of my favorite places to go plein air painting is the botanical gardens at the Riverbanks Zoo and Garden. I forget about the sweltering summer heat when I'm painting or drawing the landscape.

Darcy and her back-to-school summertime braids weaved by yours truly, and my White Daisy mixed media drawing completed at the Riverbanks Zoo.

Spring Exhibitions

University of South Carolina's academic year ended with a "high" for me this past spring. My artwork was featured in three exhibitions: one in California at the Cabrillo Gallery, Cabrillo College, of the greater Los Angeles area. It was a group exhibition, and the show was titled Who We are Portraying. The exhibit explored identity and how individuals represent or express themselves publicly.  

The other two exhibitions I participated in were in South Carolina. Both were 10th-anniversary shows. The first one was a salon exhibition celebrating the 10th Anniversary of the publication, The Jasper Project. The show and celebration were both held at 701 Whaley's Pool Hall space. Laura Garner Hine curated the exhibition. Other artists selected to participate in the show included Bohumila Augustinova, Eileen Blythe, Mike Dwyer, Michael Krajewski, Cait Maloney, and Lucas Sams, to name a few. 

 

The second exhibition 10th-anniversary exhibition I participated in this past spring was the ArtFields 10th-Anniversary competition exhibition. Located in Lake City, South Carolina, ArtFields is a nine-day festival that features up to 400 works of art at 40 venues in which on can view the artists selected to compete from the southeast region of the United States. Participating artists are juried each year by a prestigious panel of jurors. The 2022 ArtFields juror panel included:  Venessa Castagnoli, Executive Director of Ogden Contemporary Arts; Charles Eady, Contemporary Artist and Author; Jean McLaughlin, Arts Administrator, Educator, and Artist; David Reyes, Curator of Exhibitions and Collections, Huntsville Museum of Art; and Jaime Suárez, Sculptor, Architect, Educator, and Ceramicist.

Top, detail of one of The Darcy Inventory drawings, mixed media on paper, 11" x 14."  The Darcy Inventory, center, installed at The R.O.B. at this year's 10th anniversary ArtFields competition, Lake City, SC. 

Summer Fun

Darcy won a weeklong spot in the Walk on the Wild Side World Explorers camp in Greenville this summer. Campers dissected owl pellets, learned about various estuary habitats, and met a tarantula, chinchilla, and python at the Greenville Zoo. When Darcy was not in camp, we spent our time either swimming in the hotel pool or exploring the downtown area of Greenville, South Carolina. 

Check out our South Carolina Sunshine Instagram reel of the week here!

Darcy, outside of World Explorers camp, Greenville, SC.

Art of Neuroscience, Netherlands Institute of Neuroscience

I received an Honorable Mention for my artwork Dueling Cajals in the prestigious international sci-art competition, Art of Neuroscience. This year's competition jurors were Dr. Bevil Conway, Dr. Flora Lysen, and Dr. Sabine Niederer.

 

Netherlands Institute for Neuroscience Statement: 

"This submission struck the jury because of its emphasis on the history of neuroscience. The work highlights how any scientific process, particularly scientific image-making, can be influenced by a multilayering of cultural and historical factors. The jury admired how diverse periods in time from this historical perspective were weaved into one image, and appreciated the effort that went into investigating the sources that Cajal was exposed to. Dueling Cajals serves as an important reminder for neuroscientists to recognize history and its influence on their work. " - AoN, NIN, NL

My drawing was created by referencing primary sources from Cajal's life and scientific research while serving as the Fulbright España Senior Research fellow at the Instituto Cajal. Below this paragraph is an Instagram reel. In the reel, I am giving the viewer a glimpse into the creative process and some of the items (Cajal's scientific regeneration drawing and the original mold of his death mask) that I researched in creating my drawing.

Dawn Hunter, Dueling Cajals, Art of Neuroscience Instagram reel.

My artwork above, Dueling Cajals, mixed media on paper, 11" x 14."

The primary sources that I reference from the Instituto Cajal, Madrid, that inspire the Dueling Cajals drawing, left an original nerve regeneration scientific drawing completed by Cajal and the original death mask mold.

Cajal Club

It is with immense gratitude and a touch of modest pride that I share the news of my election to the esteemed Cajal Club Board of Directors. The trust they have placed in me to design and create a new website for their illustrious organization is both exhilarating and deeply humbling.

My life was full of hard work, collaboration, and feedback from and with top Neuroscientists during the transition from July to August. The new website is now operational. This is an ongoing endeavor; a garden that will continue to flourish and grow. More content is yet to come, so stay tuned!

The new website, designed by yours truly, can be found here: cajalclub.org.

Closing

We have had some wonderful adventures so far this year and we are looking forward to more! We feel honored and blessed by all of our opportunities.

Have a wonderful fall everyone and check back with us again soon! XOXO

Always,

Dawn

Portrait of artist Dawn Hunter, taken by her daughter Darcy, July, 2022.

Happy 170th Birthday Cajal!

Happy Birthday Cajal, you are my world, and your discoveries laid the foundation for many other research quests of the mind. 

Cajal within the pyramidal neuron cells, marker and pen on paper. This is a page from my sketchbook.

Since your contributions to the neuron doctrine the have been too many neuro/mind research questions and discoveries to list. But here are a few.

"Split-brain" surgery to control epileptic seizures was performed by Willian Van Wagenen in 1940, and during 1946 Robert Heath carried out deep brain stimulations. 

My recreation of Cajal's black and white self portrait photograph, marker and pen on paper. I observed the primary source while completing my Fulbright Fellowship at the Instituto Cajal, Madrid, Spain and I drew this work from direct observation. 

Eugene Aserinsky discovered "rapid eye movement" (REM) in 1953 and that those movements correspond to certain dream states. 

My recreation of Cajal's drawing of a retina, marker and pen on paper. I observed the primary source while it was on display at the John Porter Neuroscience Research Center at the NIH and drew this work from direct observation.

Roger Sperry and Michael Gazzaniga discovered that the two hemispheres of the human brain are unique and functionally different.

A sketchbook drawing of "...Buds budding, roots rooting and taking root -- Ha, some studio humor within my new series." Cajal branching out, acrylic and ink on paper. This is a conceptual work in which I referenced self portraits created by Cajal and my own research drawings of this work.

Based on blood flow, Seiji Ogawa measured functional MRI brain activity. The plasticity of the adult human brain was proven by Vilayanur Ramachandran in 1994, and Jin Hyung Lee discovered that high and low frequency stimulations generate unique and varied states of consciousness in the brains of rats.

My world of Santiago Ramón y Cajal, this is a photo of a wall in my studio covered in my drawings of and about Cajal.