Threaded Pathways: Unraveling Neuroscience and Art in Hannah Warming's Needles & Neurons

Welcome to my latest blog entry, a space where the artistry of Santiago Ramón y Cajal, the legendary Spanish Neuroscientist, becomes the muse for a unique fusion of science and art. As an artist, professor, and Fulbright Scholar, I have the privilege of exploring and breathing "the life" of Cajal's intricate scientific sketches within the four walls of my studio. Just as the swirling hues of a nebula inspire the astronomer, the delicate complexities of Cajal's drawings breathe inspiration into my work.

Cajal's life, filled with discovery and dedication to neuroscience, forms the bedrock of my artistry. His meticulously crafted drawings are not just records of the earliest ventures into the intricate labyrinth of the human brain but also beautiful works of art that capture the fascination and wonder that the human brain inspires.

In this post, we'll embark on a journey to explore Neuroscientist and emerging artist Dr. Hannah Warming. She is the founder of 'Needles & Neurons,' a burgeoning movement within the art world where neuroscience melds with the age-old art of embroidery. Needles & Neurons mission is to raise money for Alzheimer's Research by selling finished embroideries, embroidery patterns, and kits. This emerging artistic expression reflects a blurring of the lines between scientific exploration and creative expression, much like Cajal did with his illustrative documentation of Neuroscience. 

Hannah's work is far from being merely popular; it is critically acclaimed and deeply respected in both Neuroscience and artistic communities. To this recognition, her works have graced the cover of the prestigious Lancet journal and featured prominently in the Journal Consilience. But beyond creating beautiful, intellectually engaging art, Hannah's work also has a profoundly humanitarian dimension. Each sale of her embroidery designs contributes to Alzheimer's Research UK, raising significant funds to support research into this devastating disease.

Her creations push traditional needlework boundaries, weaving in drawing and painting elements to deepen the conceptual connections between form and content. She uses social media platforms to share her creative journey and underline scientific research's importance, sparking dialogues and connections with her ever-growing audience. This vibrant engagement has led to special graphic design commissions from the international community, further amplifying her impact.

Microscopy inspired embroidery of a Neuron by Dr. Hannah Warming of Needles & Neurons.

Needles & Neurons is more than an artistic endeavor; it's a labor of love. Each piece that Hannah crafts are wrapped with care and shipped to collectors with personal touches like custom stickers and thoughtful thank-you notes. Despite her bustling schedule as a postdoc researcher at the University of Oxford, Hannah found time to share her passion and the important work she's doing in an interview for this blog post. She firmly believes in the power of creativity to effect change and raise awareness, with each stitch serving as a testament to this belief. You can support this critical cause and own a piece of this beautiful artistry through her Ko-Fi and Etsy stores.

Now, let's examine briefly some of the scientific methods that underpin some of Dr. Warming's inspiration for these artworks: electrophysiology. This cutting-edge technique allows researchers to capture and study the electrical symphony that orchestrates our neural activity. By gently introducing a minuscule electrode into a neuron, scientists can measure the shifts in voltage as the neuron engages, providing valuable insight into the communication patterns of these complex cells.

An electrophysiologist often finds themselves at the forefront of these intricate studies. Armed with micropipettes, they meticulously record electrical signals emanating from cells. Every bit of data gathered brings them a step closer to understanding the secrets of how these cells operate and interact, thereby opening up possibilities for new treatment methodologies for various neurological disorders.

Picture this: a dedicated neuroscientist in the laboratory, a micropipette carefully positioned to contact a neuron, adjusting and fine-tuning the parameters to capture the purest signal. Dr. Hannah Warming has experienced that as she anticipates with excitement the treasure trove of new data she is collecting, knowing that hours of analysis and discovery lie ahead.

She once noted, "When I engage in electrophysiology, my interaction with the cells goes beyond mere observation. I literally touch and manipulate them. I place the pipette against the cell membrane, delicately breach it, and start recording the inner electrical currents. It's an intimate dance of science and discovery."

Detail of embroidery of the isoform of NMDAR the lab discovered during Dr. Hannah Warming's Master's research. The embroidery was designed and created as a gift for her supervisor.

Dr. Hannah Warming | Interview Questions:

Dawn: What inspired you to begin embroidery work? How did it all get started?

Hannah: Like many other creatives, I picked up new hobbies to keep myself busy during the Covid-19 pandemic lockdowns – as the first lockdown loomed in early 2020, I tried out a floral embroidery kit to teach myself a few stitches and was hooked right away. Once I had completed the kit, I looked for ideas of what to stitch next, and as I was stuck at home and missing the lab, I tried out embroidering a neuron with a patch clamp pipette – my first piece of science art! It was a bit wonky, but I loved how easily embroidery came to me and how therapeutic it was as an art form.

Dawn: Have you always created artwork?

Hannah: Since childhood, I have loved to draw and paint, but I never felt I was particularly "good" at getting the image in my head onto the paper - so for many years, I fell out of touch with my creative side. I had tried crochet in the past (inspired by my very talented sister!), however, I couldn't seem to get the tension right, and everything looked a bit wonky. With embroidery, something just clicked, and it felt like finally, I was able to get my ideas out in an accurate way. I love how the threads closely resemble the axons and neurites I see in my cells in the lab and the different textures you can create with one medium. 

Dawn: What inspired you to raise money for Alzheimer's research?

Hannah: During my Master's degree research and Ph.D. studies, I was part of a lab that primarily focused on Alzheimer's disease, although my own research was in other neuroscience topics. Our lab was supported significantly by funding from the charity Alzheimer's Research UK, who facilitated many great opportunities for me and my colleagues, such as conference attendances and networking meetings to aid our development as scientists and drive research forwards. I decided I wanted to use the new hobby & my accumulating stack of finished embroideries to raise funds and give something back, so ARUK was the clear choice! 

ARUK works hard to support research into improving not only the future for people with dementia with new diagnostics and treatments, but also to improve quality of life for those currently affected by the disease. Recently, much of the industrial research funding into neuroscience and diseases like Alzheimer's has been withdrawn as these conditions are difficult to treat and therefore not "profitable" enough, and so to see change in the future, the support of organizations like ARUK is a necessity.

Dawn: How do you decide what you want to embroider? Do you design all of your work?

Hannah: I design almost all of my embroideries, usually with a brief sketch on my iPad first to decide on placement and color options. Any that aren't my own design are usually based on the drawings of Ramón y Cajal – his intricate drawings of neurons are the perfect inspiration! I also like to copy my own microscopy from my lab work, if I take a particularly nice photo of a cell I have made recordings from.

I go through phases of what will be the subject of my designs based on what I see in my research – for example, when I was growing bacterial cultures in the lab to isolate DNA, I made some beaded petri dishes mimicking bacterial colonies. Nowadays, I spend time on the microscope imaging neurons I have made recordings from, and these are inspiring my current works. 

I have also had the pleasure of making many commissioned embroideries, usually as gifts for my customers' colleagues or graduating students. I believe the art should be scientifically accurate – this is a fun way to learn about new topics and cell types so that I can generate a design and stitch something that the recipient can enjoy as being personal to them. I love having such a wide array of subjects for my embroidery designs!

Full hoop of embroidery of the isoform of NMDAR the lab discovered during Dr. Hannah Warming's Master's research. The embroidery was designed and created as a gift for her supervisor.

Dawn: Your Master's is in Biomedical Science; what led you to neuroscience research?

Hannah: I remember saying during my undergraduate study that "I will never work in neuroscience," as I just did not enjoy it at all, to begin with! Over time I developed an interest in neurodegenerative disease and chose to take more modules on the topic. My Master's thesis was in the study of NMDA receptors, a type of protein that facilitates excitation through cell membranes and a key mediator of cell-to-cell communication. Our lab discovered a new form of the receptor that hadn't been previously identified in humans, which I found so exciting, and it led me to become very interested in the mechanisms of cell communication. This is also where I first tried patch-clamp as a technique and loved it.

From there, I decided to combine my interest in neurodegenerative disease with studying cell communication, and I studied cell damage in haemorrhagic stroke for my Ph.D. thesis, looking at how haemoglobin from the blood can alter cell health and communication. I'm now very passionate about understanding the brain, and I can't imagine working in a different field.

Dawn: What is the current focus of your Post Doc research? 

Hannah: After four years of studying stroke, I decided on a change in direction – but still wanted to use patch clamp in my work. I am currently working at the University of Oxford in the lab of Dr. Simon Butt, where we study brain development. I get to use really cool techniques to look at cell communications in the developing mouse brain by combining patch-clamp with laser-activation of cell signaling. We are investigating how certain treatments, such as antidepressants, can modify development and may lead to sensory disorders later in life. 

It's been a steep learning curve going from studying stroke to brain development in different regions of the brain than I am familiar with, but I love widening my neuroscience knowledge, and the techniques I use make it barely feel like work.

Dawn: How do you see art fitting into your life in the future?

Hannah: I really feel I have found "my" craft with embroidery, and I hope to continue it for many years to come. Post-PhD life is very busy, and I sadly have less time to focus on art these days; however, it is still my favorite thing to do in my downtime. I personally love having embroidery in my home, whether it is mine or from other artists, and my pieces I keep for myself tell a tale of my career so far. I hope to build on that and use art as a way to keep in touch with the neuroscience world wherever I end up. 

Dawn: I have noticed a lot of people with PhDs in neuroscience recently have pursued careers in the creative field, like illustration, graphic design, and visual communications. Do you ever wonder if your needlework might take you on a different professional path?

Hannah: It would be a dream to work in visual communications, but unfortunately, I think embroidery is too slow a craft for that! Some of my pieces take upward of 60 hours to complete, which is more suited to art for leisure rather than for professional projects with deadlines, such as in science communication. I love seeing fellow scientists branch out into creative fields and how each person has their own style in conveying information visually. 

That said, I do enjoy writing and creating graphics to communicate my research, and I have always loved public engagement to promote awareness of scientific information to a wider audience. I certainly won't rule out a more creative career – for now, I really enjoy hands-on research and am seeing where the neuroscience winds take me.

Dawn: What are your future plans for Needles & Neurons?

Hannah: Since I have less time to make embroideries these days, my brand has slightly shifted from a (very) small business more towards a hobby in my mindset to take the pressure off and allow it to be compatible with my other work. However, I have no intention of stopping embroidery under the name Needles & Neurons, and I will continue raising funds to support Alzheimer's Research UK – I still have multiple works in progress at any given time; they just take a little longer to complete! I would love to keep up my creative outlet, and maybe one day, when I am settled into a career, I might have a little more time to offer more kits, patterns, and tutorials to engage the next generation of scientists in science art too. 

Above are several examples of biology and neuroscience embroideries by Dr. Hannah Warming.

Cyber Canvas: Safeguarding Our Digital Nucleus in an Evolving Online Landscape

As an artist coaxes life from the austere medium of marble or a scientist awakens inquiry through the microscopic dance of cells, so too must we consider our digital imprint on the world wide web. A website, much like the nucleus of a cell, forms the crux of this complex tableau, defining, structuring, and fundamentally giving essence to our online identity. This isn't an analogy drawn frivolously; rather, it draws deep parallels with the magnificent designs of life. The nucleus is the cell's center, and it is filled with DNA blueprints that direct its function and purpose. A website is a meticulously curated digital fulcrum of our virtual existence, broadcasting our passions, capabilities, and contributions in a complex lattice of text, graphics, and links with code. On a website, we communicate who we are and what we do, shaping how the digital world perceives and interacts with us. Therefore, crafting this digital nucleus becomes an act of expression, blending the precision of science with the depth of art as we craft a coherent, authentic, and engaging narrative of our identity in the vast virtual cosmos.

Dawn Hunter, Cell Block Tango Embrace, board, 12" x 17.5"

 

The sanctity of our online nucleus, our website, is non-negotiable. Just as a biological cell enforces a membrane barrier against invading pathogens, the integrity of a website's domain needs safeguarding against digital marauders. These agents of chaos, armed with malevolent intent, seek to infiltrate our digital identities, corrupt our narratives, and compromise the authenticity of our self-expression. Thus, prioritizing domain protection is akin to maintaining the cellular health in a biological context. Ensuring robust security protocols, utilizing cutting-edge encryption, and regularly updating safeguards not only preserves our artistic or scientific endeavor in the virtual realm, it also guarantees the trust of those who interact with our domain. Much like an art historian would painstakingly preserve a masterpiece, or a biologist would protect a specimen, we must similarly guard our digital presence from degradation and corruption. The fortress we build around our online nucleus thus becomes a testament to our commitment to digital security, the preservation of our identity, and the respect for the spaces we inhabit and share in the digital universe.

As we navigate the nuanced landscape of digital presence, it's essential to understand the interplay between domain ownership and website hosting—two fundamental elements that, while closely intertwined, serve distinct functions. This distinction is akin to the difference between owning a precious artwork and having a secure gallery to display it. Domain ownership is your claim on a unique address on the web, your 'digital real estate,' if you will. It's the URL that directs users to your piece of the internet, much like the title of a painting guides art enthusiasts to a specific work. Website hosting, on the other hand, is akin to the gallery space where the artwork resides. It's a service that provides the infrastructure needed to display your website - the content, images, and features - on the internet. The domain brings your audience to your door, but it's the hosting that allows them to interact with everything inside. Both are indispensable in shaping and presenting your online identity, requiring strategic investment and judicious management for an engaging and secure online presence.

Dawn Hunter, Landscape ideation sketch of Ayerbe, Spain, 12" x 12"

In the evolving digital landscape, the tactics employed by hackers have transformed into an intricate dance of deception, impersonation, and technical prowess. Their techniques echo the sophisticated forgeries of the art world, and just as the untrained eye may be fooled by a counterfeit, even the most seasoned online denizens can fall prey to such exploits. Recent developments have seen hackers impersonating reputable domain ownership and website hosting platforms, producing convincingly disguised emails to lure unsuspecting users into divulging sensitive information. This constitutes a form of phishing, where these digital miscreants masquerade as trusted entities, exploiting our reliance on these platforms and threatening the sovereignty of our digital nuclei. The deception is so intricate, the mimicry so convincing, that it lures the unwary into a dangerous game of trust, placing not just our personal data, but the very ownership of our online domains at risk. This digital art of deception, much like the craft of a master forger, is targeted towards creating opportunities for theft, underscoring the necessity of constant vigilance and fortified safeguards in our interactions with the digital world.

Should you find yourself ensnared in such an unscrupulous situation, it's essential to recall several key principles to safeguard your digital fortress. Firstly, remember that legitimate platforms hosting your domain or website will never request sensitive information pertaining to domain ownership via email. Their integrity is akin to that of a respected museum, preserving, not violating, your trust. 

Secondly, if you own a premium website, like, for example, www.dawnhunter.com, no authentic platform will ever propose to auction off your domain, or cite its premium status as a reason list it in order to gain valuation insight on another platform. It's your masterpiece; they're simply the custodians.

Thirdly, it's imperative never to respond to or click on links within suspicious emails. Much like you wouldn't touch a fragile artifact in a museum without gloves, interacting with phishing emails can lead to irreversible damage. If you receive an email that looks authentic but raises suspicion, directly contact the supposed sender, such as your domain hosting or parking service, to verify its legitimacy. Never underestimate the power of double-checking, just as an art historian would verify a work's provenance.

Always ensure your domain remains locked, acting as the robust security system that protects valuable artworks in a gallery. If you observe dubious activity, it's not only permissible but encouraged to report such instances to ICANN or your local authorities. Like alerting museum security to potential threats, this proactive step can help maintain the security of the broader digital landscape, preserving the sanctity of our collective online expression.

In conclusion, our journey through the intersections of digital domain ownership, website hosting, and cybersecurity echoes the intricate choreography of The Dance: A Cell Block Tango Biological Pun, my recent artistic endeavor. This series, features figures emerging in the cell membrane, the nucleus, and the cytoplasm, and the inclusion of a painting from this series (along with a composition ideation landscape) in this article symbolizes the delicate balance we must maintain in crafting, curating, and safeguarding our digital identities. Like the dance of the cell, our online existence is a continuous ballet of expression, interaction, and vigilance. Our website—the nucleus of our online identity—demands the same respect, care, and protection as a cell in preserving life's vitality. It's essential to remain mindful of our potential challenges, understand the art of deception in the digital landscape, and equip ourselves with the knowledge and tools to protect our precious digital domains. In the end, our online presence is a canvas upon which we paint our intellectual, emotional, and creative identities; a masterpiece worth safeguarding with as much fervor as any priceless art or groundbreaking scientific discovery.

Dawn Hunter | portrait of the visual artist in her fifties

In James Joyce's novel, A Portrait of the Artist as a Young Man, the narrative follows the journey of Stephen Dedalus, a budding artist grappling with his place in the world and cultivating his artistic identity. This modernist masterpiece is renowned for its inventive language and for depicting its main character's psychological and ethical growth.

From this literary work, mature creatives can glean that the metamorphosis into an artist encompasses a voyage of self-exploration and self-fashioning.

Attaining contentment and ease within oneself at any life stage is vital to one's overall wellness and can contribute to a more gratifying, purposeful existence.

Life is full of highs, lows, and transitional periods; however, it is crucial to remember that age remains a mere numeral and that it is never too late to chase your aspirations and objectives. Numerous people find a renewed sense of direction and focus as they age and view aging as an opportunity for reinvention and to make positive life changes. Often people will choose to prioritize their personal development and joy. 

Remember that there's no "right way" to be a fabulous 50-something (or any age, for that matter). It's so important to appreciate our own unique qualities, talents, and passions. If you're feeling excited about this chapter in life like I am, that's amazing! Let's keep celebrating our individuality and living life to the max! 

My Story

Age has never dictated the course of my life. I've always pursued a creative path; each day spent in my studio feels timeless. This creative space fosters a connection between various moments and locations throughout my life, all within the artistic process. Additionally, I teach first-year college students who are full of energy, creativity, and innovation. These young individuals inspire and graciously invited me into their lives through our shared artistic pursuits.

A hurdle that older female artists might encounter is ageism, which is discrimination based on age. This can manifest in various ways, such as being overlooked for opportunities or being treated differently due to one's age.

Another obstacle older female artists may face is inadequate representation and support for their work. It is not unusual for them to feel as if their artwork doesn't receive the same level of attention or acknowledgment compared to their younger peers.

Yet, despite these obstacles, numerous older female artists remain committed to producing and showcasing their art. They may discover support and fellowship within artistic circles and could even find that their age and life experiences provide them with a distinct viewpoint and expression in their craft. (Above, a portrait of Dawn Hunter. Photo captured by Darcy Phelps.)

My Inspiration

Yayoi Kusama is a Japanese artist who was born in 1929. She has achieved significant success and has gained a great deal of recognition as an older female artist. Her career has spanned over 70 years. During that time Kusama earned a reputation as one of the world's most significant and influential living contemporary artists. 

Kusama's artwork is characterized by its vivid colors, recurring patterns, and enveloping installations that frequently involve performance and interactive aspects. Her creative endeavors have spanned multiple mediums, such as painting, sculpture, installation art, and literature.

Above, self-portrait of Dawn Hunter at the Yayoi Kusama exhibition in Atlanta, Georgia. Left, the Peep Show light installation by Yayoi Kusama, photo by Dawn Hunter.

Throughout her illustrious career, Kusama has displayed her artwork in galleries and museums across the globe, captivating a vast and loyal fanbase. In the past few years, her prominence and accomplishments have soared even higher, as her masterpieces have taken center stage in prestigious exhibitions and fetched jaw-dropping sums at auctions. Now in her 90s, Kusama remains a creative force, continuing to produce and showcase her art, enthralling and enchanting people worldwide.

My favorite living artist is Kusama, and I make it a point to travel and attend her shows whenever I can, like to the Bronx Botanical Gardens or High Museum of Art. When her exhibition was on view at the High Museum in Atlanta, GA, I actually bought a scalped ticket to attend. The show had sold out, and people were wrapped around the block in tents in hopes of receiving one of the daily tickets held. 

*Ticket scalping has become a more common practice during the past twenty years because of the internet. Most scalping incidents now take place through online sales transactions. Currently, there are no federal laws that prohibit the scalping or resale of tickets.

Above, the obliteration room at the Yayoi Kusama Exhibition at the High Museum, photo by Dawn Hunter.

Closing

2022 has been an excellent year for me creatively, and I was productive - generating many new works of art throughout the year. I have been honored by the recognition and success of my illustrations, drawings, and paintings about the esteemed neuroscientist Santiago Ramón y Cajal and my daughter, Darcy. I have exhibited throughout the US this year, from Art Fields in Lake City, SC, Verum Ultimum, Portland, OR, and the Cabrillo Gallery, Los Angeles - to name a few 2022 exhibition highlights. 

I feel sincere gratitude for being the first artist to be elected to the Board of Directors of the prestigious Cajal Club and for the distinctions of having my artwork reproduced and written about in Scientific American® and the Consilience Journal.

I look forward to opportunities and the creative journey ahead of me in 2023, and as the sayings go, "age is just a number," and "being fifty is nifty."

Portrait of Dawn Hunter taken by her daughter Darcy as they prepared the Darcy Inventory for the 2022, 10th Anniversary Artfields exhibition, Lake City, SC.

Mentorship and Loss

Ah, you know, being a college art student is such an adventure! You've got that snazzy studio space to create your masterpieces, but it can feel lonely sometimes. I can't stress enough how crucial it is to have a mentor in your college art studio. They're like a lighthouse in a stormy sea of creativity! 

Mentors, they're like these magical beings who guide you, give feedback on your work and help you network with other artsy folks. The hallmark of a good mentor is excellent listening skills balanced with professional experience and generosity. Having someone committed to providing quality and consistent feedback nurtures your creative present and future. 

Let me tell you where to start if you're looking for a mentor.

First up, your professor; if there's a professor you genuinely admire and who knows their stuff about your preferred art form, they might be the mentor of your dreams! Ask if they can spare some time regularly to chat about your work and offer their insights.

Next is the college art gallery; those gallery staff members are usually eager to gab about art with students. If there's an artist or style you're really into, ask a staff member if they can point you toward a potential mentor. 

And remember local artists! Your town or city is probably teeming with artists who'd be thrilled to mentor a budding college student. Check out local galleries and studios, and don't be shy—say hello to and regularly interact with the artists of your community. Having a mentor in your college art studio can be transformative for you creatively but also set you on a productive career path. So, reach out and ask for help! 

My Mentors

During my college years at the Kansas City Art Institute, I was never shy about reaching out to professors. I was lucky in college, I had two great mentors who shaped my artistic practice profoundly: Wilbur Niewald and Shirley Luke Schnell.

Wilbur Niewald

Wilbur Niewald died this past spring at the age of 97. He live his entire life in Kansas City, and no one has painted the city as frequently as he did. His Plein air works could rightfully be called love letters to the city.

Wilbur earned bachelor and master degrees from the Kansas City Art Institute. He was a member of the painting faculty for 43 years, chaired the painting department from 1958 to 1985, and was a respected and well known painter throughout the United States. 

In 1992, he retired. He remained devoted to his artistic practice and he spent hours each day, often six days a week, painting outdoors in Loose Park or the West Bottoms or in his studio during his retirement.

One of the things I liked to do when visiting Kansas City in the summer was to visit him while he was creating his Plein air artworks. I would find him passionately painting away at his easel near the tennis courts at Loose Park in Kansas City, Missouri, wearing his well-known attire: a straw hat, denim shirt, and blue jeans.

Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."

I took Wilbur's drawing classes most semesters while I was in college. Every class was always the same, with one instruction: "Draw what you see." I found the experience meditative and relaxing, and I also developed a deep appreciation for working from observation.

Wilbur always took me seriously and respected me as an artist, which profoundly impacted me the most. I took myself seriously because of that. He understood my potential more than I did. As a sophomore, I had a conversation with him about switching my major from Painting to Fibers. He made a compelling argument to other faculty and me in the program about why I should not switch my major. I stayed because he convinced me.

He drew and painted from direct observation beginning in the 1970s. It never mattered to him what the condition of weather was. Once when our drawing class was outside drawing the landscape in Plein air, it began to rain. Most students began packing up and heading back to the classroom, but Wilbur exclaimed, "Don't leave; this is great. Change your drawing as the situation changes." He only convinced four of us to stay.

Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."

Shirley Luke Schnell

There's nothing quite like a quirky art professor to get students excited about creativity. Shirley Luke Schnell was one of those teachers. With her whimsical, soft-spoken voice and eccentric clothing, she always seemed to be on the verge of levitating above all of us in the Foundations studio. But somehow, she always managed to bring unique and memorable insight to the studio practice, and her students always seemed inspired and to learn a lot.

Even though she was different than anyone else you'd ever meet, her students connected with and loved her. They knew that she cared about them and that she wanted them to succeed. She was always pushing them to be their creative limits with the concepts of her assignments. This generated growth and new perspectives on what is or could be.

Shirley is a true original, and in the classroom, she was the perfect example of how being different can be a good thing. After Foundations, I reached out to her for critiques of my paintings and help with my graduate school applications. She was fully invested and took time during her weekends to help me write my application essays with clarity. I was fortunate to have her mentorship after college, too. We became close friends, and she has been present for the significant milestones of my life. Such as visiting me in London during my residency at the Royal Academy of Arts and attending my wedding.

Above, a digital iPad drawing I created of Shirley during one of my visits to her home.

Embracing Change: The Journey with Alzheimer's

As we grow older, it's not uncommon for memory to fade, impacting both ourselves and our dear ones. When it comes to Alzheimer's, this shift can be particularly tough on relationships. I remember my incredible mentor, Shirley, who was officially diagnosed with Alzheimer's back in 2013. 

Looking back, he signs were there even before her diagnosis—visible in her actions and words. Today, she's reached a non-verbal stage as the disease continues its progression. Though she's still with us, Alzheimer's has taken away so much. Let's cherish our memories and support those facing this journey.

1. Understanding Alzheimer's: A Battle of the Mind 

Alzheimer's, one of the most common types of dementia, has touched the lives of over 5 million Americans. As a neurodegenerative disorder, it slowly erodes our memory and cognitive functions, making every day a struggle. Despite the efforts of researchers, the cause is unknown. Its cause is theorized to be a blend of genetic and environmental factors. The cure remains undiscovered.

2. Recognizing the Signs: Encountering Alzheimer's Symptoms

Living with Alzheimer's can be an incredibly personal and unique experience, as the symptoms manifest differently for everyone. Yet, some common threads bind these journeys: the challenges with memory, thinking, and communication and the shifts in mood and behavior. 

Physical symptoms like trouble walking, dizziness, and appetite changes also make their presence known, adding to the daily battles faced by those with Alzheimer's.

3. How does Alzheimer's disease affect relationships?

Alzheimer's disease can be heart-wrenching, profoundly affecting our relationships with loved ones. Those with this condition might withdraw from socializing, struggle to recall names or faces, and even become disoriented or agitated. As friends and family, it's painfully difficult to watch someone we care for seemingly disappear from us.

But let's not forget that beneath the disease; their hearts are still capable of feeling love and affection. We must keep embracing them, even when communication becomes a challenge. Engage them in activities they've always loved, and practice patience and understanding. Together, we can make sure they never feel alone in their fight.

Above, a digital iPad drawing Shirley created, after the onset of Alzheimer's, of her cat during one of my visits to her home.

Loss

Losing a mentor—whether through death or illness is difficult. 

Whether it hits you like a bolt from the blue or you see it coming, the passing of a mentor can feel like a shock. You may feel a great sense of emptiness after losing someone like the North Star guiding your ship, helping you grow and learn!

When a mentor leaves this world, it's easy to feel adrift and unsure. Let's remember that your mentor would want you to continue and keep growing creatively. 

It is essential to pause, allow yourself to grieve, and then remind yourself that your mentor would be cheering you on to keep putting one foot in front of the other and pay it forward by mentoring a younger artist yourself!

Six Month Studio Round Up

I love spending my summers being creative, whether it's working on art projects in my studio or doing my daughter's hair in pretty braids and weaves. What I look forward to the most in my studio practice is the feeling of satisfaction when I'm done. One of my favorite places to go plein air painting is the botanical gardens at the Riverbanks Zoo and Garden. I forget about the sweltering summer heat when I'm painting or drawing the landscape.

Darcy and her back-to-school summertime braids weaved by yours truly, and my White Daisy mixed media drawing completed at the Riverbanks Zoo.

Spring Exhibitions

University of South Carolina's academic year ended with a "high" for me this past spring. My artwork was featured in three exhibitions: one in California at the Cabrillo Gallery, Cabrillo College, of the greater Los Angeles area. It was a group exhibition, and the show was titled Who We are Portraying. The exhibit explored identity and how individuals represent or express themselves publicly.  

The other two exhibitions I participated in were in South Carolina. Both were 10th-anniversary shows. The first one was a salon exhibition celebrating the 10th Anniversary of the publication, The Jasper Project. The show and celebration were both held at 701 Whaley's Pool Hall space. Laura Garner Hine curated the exhibition. Other artists selected to participate in the show included Bohumila Augustinova, Eileen Blythe, Mike Dwyer, Michael Krajewski, Cait Maloney, and Lucas Sams, to name a few. 

 

The second exhibition 10th-anniversary exhibition I participated in this past spring was the ArtFields 10th-Anniversary competition exhibition. Located in Lake City, South Carolina, ArtFields is a nine-day festival that features up to 400 works of art at 40 venues in which on can view the artists selected to compete from the southeast region of the United States. Participating artists are juried each year by a prestigious panel of jurors. The 2022 ArtFields juror panel included:  Venessa Castagnoli, Executive Director of Ogden Contemporary Arts; Charles Eady, Contemporary Artist and Author; Jean McLaughlin, Arts Administrator, Educator, and Artist; David Reyes, Curator of Exhibitions and Collections, Huntsville Museum of Art; and Jaime Suárez, Sculptor, Architect, Educator, and Ceramicist.

Top, detail of one of The Darcy Inventory drawings, mixed media on paper, 11" x 14."  The Darcy Inventory, center, installed at The R.O.B. at this year's 10th anniversary ArtFields competition, Lake City, SC. 

Summer Fun

Darcy won a weeklong spot in the Walk on the Wild Side World Explorers camp in Greenville this summer. Campers dissected owl pellets, learned about various estuary habitats, and met a tarantula, chinchilla, and python at the Greenville Zoo. When Darcy was not in camp, we spent our time either swimming in the hotel pool or exploring the downtown area of Greenville, South Carolina. 

Check out our South Carolina Sunshine Instagram reel of the week here!

Darcy, outside of World Explorers camp, Greenville, SC.

Art of Neuroscience, Netherlands Institute of Neuroscience

I received an Honorable Mention for my artwork Dueling Cajals in the prestigious international sci-art competition, Art of Neuroscience. This year's competition jurors were Dr. Bevil Conway, Dr. Flora Lysen, and Dr. Sabine Niederer.

 

Netherlands Institute for Neuroscience Statement: 

"This submission struck the jury because of its emphasis on the history of neuroscience. The work highlights how any scientific process, particularly scientific image-making, can be influenced by a multilayering of cultural and historical factors. The jury admired how diverse periods in time from this historical perspective were weaved into one image, and appreciated the effort that went into investigating the sources that Cajal was exposed to. Dueling Cajals serves as an important reminder for neuroscientists to recognize history and its influence on their work. " - AoN, NIN, NL

My drawing was created by referencing primary sources from Cajal's life and scientific research while serving as the Fulbright España Senior Research fellow at the Instituto Cajal. Below this paragraph is an Instagram reel. In the reel, I am giving the viewer a glimpse into the creative process and some of the items (Cajal's scientific regeneration drawing and the original mold of his death mask) that I researched in creating my drawing.

Dawn Hunter, Dueling Cajals, Art of Neuroscience Instagram reel.

My artwork above, Dueling Cajals, mixed media on paper, 11" x 14."

The primary sources that I reference from the Instituto Cajal, Madrid, that inspire the Dueling Cajals drawing, left an original nerve regeneration scientific drawing completed by Cajal and the original death mask mold.

Cajal Club

It is with immense gratitude and a touch of modest pride that I share the news of my election to the esteemed Cajal Club Board of Directors. The trust they have placed in me to design and create a new website for their illustrious organization is both exhilarating and deeply humbling.

My life was full of hard work, collaboration, and feedback from and with top Neuroscientists during the transition from July to August. The new website is now operational. This is an ongoing endeavor; a garden that will continue to flourish and grow. More content is yet to come, so stay tuned!

The new website, designed by yours truly, can be found here: cajalclub.org.

Closing

We have had some wonderful adventures so far this year and we are looking forward to more! We feel honored and blessed by all of our opportunities.

Have a wonderful fall everyone and check back with us again soon! XOXO

Always,

Dawn

Portrait of artist Dawn Hunter, taken by her daughter Darcy, July, 2022.

Happy 170th Birthday Cajal!

Happy Birthday Cajal, you are my world, and your discoveries laid the foundation for many other research quests of the mind. 

Cajal within the pyramidal neuron cells, marker and pen on paper. This is a page from my sketchbook.

Since your contributions to the neuron doctrine the have been too many neuro/mind research questions and discoveries to list. But here are a few.

"Split-brain" surgery to control epileptic seizures was performed by Willian Van Wagenen in 1940, and during 1946 Robert Heath carried out deep brain stimulations. 

My recreation of Cajal's black and white self portrait photograph, marker and pen on paper. I observed the primary source while completing my Fulbright Fellowship at the Instituto Cajal, Madrid, Spain and I drew this work from direct observation. 

Eugene Aserinsky discovered "rapid eye movement" (REM) in 1953 and that those movements correspond to certain dream states. 

My recreation of Cajal's drawing of a retina, marker and pen on paper. I observed the primary source while it was on display at the John Porter Neuroscience Research Center at the NIH and drew this work from direct observation.

Roger Sperry and Michael Gazzaniga discovered that the two hemispheres of the human brain are unique and functionally different.

A sketchbook drawing of "...Buds budding, roots rooting and taking root -- Ha, some studio humor within my new series." Cajal branching out, acrylic and ink on paper. This is a conceptual work in which I referenced self portraits created by Cajal and my own research drawings of this work.

Based on blood flow, Seiji Ogawa measured functional MRI brain activity. The plasticity of the adult human brain was proven by Vilayanur Ramachandran in 1994, and Jin Hyung Lee discovered that high and low frequency stimulations generate unique and varied states of consciousness in the brains of rats.

My world of Santiago Ramón y Cajal, this is a photo of a wall in my studio covered in my drawings of and about Cajal.