Showing posts with label Landscape Painting. Show all posts
Showing posts with label Landscape Painting. Show all posts

Saturday, September 17, 2022

Mentorship and Loss

Ah, you know, being a college art student is such an adventure! You've got that snazzy studio space to create your masterpieces, but it can feel lonely sometimes. I can't stress enough how crucial it is to have a mentor in your college art studio. They're like a lighthouse in a stormy sea of creativity! 

Mentors, they're like these magical beings who guide you, give feedback on your work and help you network with other artsy folks. The hallmark of a good mentor is excellent listening skills balanced with professional experience and generosity. Having someone committed to providing quality and consistent feedback nurtures your creative present and future. 

Let me tell you where to start if you're looking for a mentor.

First up, your professor; if there's a professor you genuinely admire and who knows their stuff about your preferred art form, they might be the mentor of your dreams! Ask if they can spare some time regularly to chat about your work and offer their insights.

Next is the college art gallery; those gallery staff members are usually eager to gab about art with students. If there's an artist or style you're really into, ask a staff member if they can point you toward a potential mentor. 

And remember local artists! Your town or city is probably teeming with artists who'd be thrilled to mentor a budding college student. Check out local galleries and studios, and don't be shy—say hello to and regularly interact with the artists of your community. Having a mentor in your college art studio can be transformative for you creatively but also set you on a productive career path. So, reach out and ask for help! 

My Mentors

During my college years at the Kansas City Art Institute, I was never shy about reaching out to professors. I was lucky in college, I had two great mentors who shaped my artistic practice profoundly: Wilbur Niewald and Shirley Luke Schnell.


Wilbur Niewald

Wilbur Niewald died this past spring at the age of 97. He live his entire life in Kansas City, and no one has painted the city as frequently as he did. His Plein air works could rightfully be called love letters to the city.

Wilbur earned bachelor and master degrees from the Kansas City Art Institute. He was a member of the painting faculty for 43 years, chaired the painting department from 1958 to 1985, and was a respected and well known painter throughout the United States. 

In 1992, he retired. He remained devoted to his artistic practice and he spent hours each day, often six days a week, painting outdoors in Loose Park or the West Bottoms or in his studio during his retirement.

One of the things I liked to do when visiting Kansas City in the summer was to visit him while he was creating his Plein air artworks. I would find him passionately painting away at his easel near the tennis courts at Loose Park in Kansas City, Missouri, wearing his well-known attire: a straw hat, denim shirt, and blue jeans.


Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."

I took Wilbur's drawing classes most semesters while I was in college. Every class was always the same, with one instruction: "Draw what you see." I found the experience meditative and relaxing, and I also developed a deep appreciation for working from observation.

Wilbur always took me seriously and respected me as an artist, which profoundly impacted me the most. I took myself seriously because of that. He understood my potential more than I did. As a sophomore, I had a conversation with him about switching my major from Painting to Fibers. He made a compelling argument to other faculty and me in the program about why I should not switch my major. I stayed because he convinced me.

He drew and painted from direct observation beginning in the 1970s. It never mattered to him what the condition of weather was. Once when our drawing class was outside drawing the landscape in Plein air, it began to rain. Most students began packing up and heading back to the classroom, but Wilbur exclaimed, "Don't leave; this is great. Change your drawing as the situation changes." He only convinced four of us to stay.



Above, a drawing I completed of Wilbur Niewald while he was painting in Loose Park during one of my visits to Kansas City, marker and pen on paper, 11" x 14."


Shirley Luke Schnell

There's nothing quite like a quirky art professor to get students excited about creativity. Shirley Luke Schnell was one of those teachers. With her whimsical, soft-spoken voice and eccentric clothing, she always seemed to be on the verge of levitating above all of us in the Foundations studio. But somehow, she always managed to bring unique and memorable insight to the studio practice, and her students always seemed inspired and to learn a lot.

Even though she was different than anyone else you'd ever meet, her students connected with and loved her. They knew that she cared about them and that she wanted them to succeed. She was always pushing them to be their creative limits with the concepts of her assignments. This generated growth and new perspectives on what is or could be.

Shirley is a true original, and in the classroom, she was the perfect example of how being different can be a good thing. After Foundations, I reached out to her for critiques of my paintings and help with my graduate school applications. She was fully invested and took time during her weekends to help me write my application essays with clarity. I was fortunate to have her mentorship after college, too. We became close friends, and she has been present for the significant milestones of my life. Such as visiting me in London during my residency at the Royal Academy of Arts and attending my wedding.


Above, a digital iPad drawing I created of Shirley during one of my visits to her home.


Embracing Change: The Journey with Alzheimer's

As we grow older, it's not uncommon for memory to fade, impacting both ourselves and our dear ones. When it comes to Alzheimer's, this shift can be particularly tough on relationships. I remember my incredible mentor, Shirley, who was officially diagnosed with Alzheimer's back in 2013. 

Looking back, he signs were there even before her diagnosis—visible in her actions and words. Today, she's reached a non-verbal stage as the disease continues its progression. Though she's still with us, Alzheimer's has taken away so much. Let's cherish our memories and support those facing this journey.

1. Understanding Alzheimer's: A Battle of the Mind 

Alzheimer's, one of the most common types of dementia, has touched the lives of over 5 million Americans. As a neurodegenerative disorder, it slowly erodes our memory and cognitive functions, making every day a struggle. Despite the efforts of researchers, the cause is unknown. Its cause is theorized to be a blend of genetic and environmental factors. The cure remains undiscovered.

2. Recognizing the Signs: Encountering Alzheimer's Symptoms

Living with Alzheimer's can be an incredibly personal and unique experience, as the symptoms manifest differently for everyone. Yet, some common threads bind these journeys: the challenges with memory, thinking, and communication and the shifts in mood and behavior. 

Physical symptoms like trouble walking, dizziness, and appetite changes also make their presence known, adding to the daily battles faced by those with Alzheimer's.

3. How does Alzheimer's disease affect relationships?

Alzheimer's disease can be heart-wrenching, profoundly affecting our relationships with loved ones. Those with this condition might withdraw from socializing, struggle to recall names or faces, and even become disoriented or agitated. As friends and family, it's painfully difficult to watch someone we care for seemingly disappear from us.

But let's not forget that beneath the disease; their hearts are still capable of feeling love and affection. We must keep embracing them, even when communication becomes a challenge. Engage them in activities they've always loved, and practice patience and understanding. Together, we can make sure they never feel alone in their fight.


Above, a digital iPad drawing Shirley created, after the onset of Alzheimer's, of her cat during one of my visits to her home.


Loss

Losing a mentor—whether through death or illness is difficult. 

Whether it hits you like a bolt from the blue or you see it coming, the passing of a mentor can feel like a shock. You may feel a great sense of emptiness after losing someone like the North Star guiding your ship, helping you grow and learn!

When a mentor leaves this world, it's easy to feel adrift and unsure. Let's remember that your mentor would want you to continue and keep growing creatively. 

It is essential to pause, allow yourself to grieve, and then remind yourself that your mentor would be cheering you on to keep putting one foot in front of the other and pay it forward by mentoring a younger artist yourself!


Friday, December 31, 2021

2021 Highlights Review: Brooklyn, Cajal, Las Vegas, Simulacra, and New Websites - oh my!

Dawn Hunter, nine square reflection of 2021 featuring my portraits of Cajal and recreations of his scientific illustrations. All images are marker, pen and ink on paper that I created about Cajal through researching his scientific drawings on display at the National Institutes of Health, and other primary sources as a Fulbright Scholar at the Instituto Cajal.


Brooklyn Botanical Gardens

I focused time and creative energy on self-care this past calendar year. During the summer, I drove from South Carolina to Brooklyn, New York to immerse myself in the city and the natural beauty of the Brooklyn Botanic Gardens and draw. This past summer, other terrific events were happening in New York, like the Cézanne exhibition at MoMA. Taking in different cultural events was enriching, but I found my time drawing at the BBG to be the most spiritually, emotionally and creatively replenishing.


Brooklyn Botanic Garden, marker and pen on paper, 11" x 14"


Japanese Garden, Brooklyn Botanic Garden, marker and 
pen on paper, 11" x 14"


Me, sweltering in the heat, but loving it, while drawing 
at the BBG.  June 2021.


2021 and Aesthetic Instincts: The Intersection of Art and Science

I have continued my artistic journey with Santiago Ramón y Cajal.  Despite the challenges of the pandemic, 2021 has been an extremely productive year.  I have continued an active engagement in my artistic series about Cajal.  To that end, new opportunities include:  selections from that series were featured in the international publication UpperCase (featured July 28 on this blog in the ¡Muchas gracias! post), I had a solo exhibition of the entire series in Las Vegas, and works from the series were chosen as featured artwork in the 75th Anniversary Exhibition for the Fulbright Foundation (held online). 

I presented a lecture about Santiago Ramón y Cajal to CSN students, faculty and the general public of the greater Las Vegas area on October 19, 2021. 



View of my exhibition at the College of Southern Nevada, Las Vegas


The evening of my lecture, October 19, 2021


75th Anniversary Fulbright online, juried and curated, Exhibition:

It was an honor to have my work selected and featured in the 75th Anniversary of the Fulbright Foundation.  The time I spent at the Instituto Cajal was priceless and life changing.  When I began this series, I never dreamed that I would have access to his original journals, sketchbooks, personal photographs, histology slides, scientific equipment and personal objects.  You can learn more about the Fulbright exhibition by clicking:  HERE.

Re-creation of pages from Cajal's first sketchbook from Valencia, marker and pen on paper, 11" x 14"

Drawing Cajal's death mask, Instituto Cajal, Madrid, Spain.

Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, Instiuto Cajal, Madrid, Spain.


100th Anniversary of the Instituto Cajal!
Continuing opportunities include that in celebration of the 100 anniversary of the Instituto Cajal, my work has continued to be displayed at the Instituto Cajal.  My work also continues to be displayed alongside Cajal’s work at the National Institutes of Health.

I currently have 10 drawings from my Fulbright research on display at the Instituto Cajal in celebration of its 100th Anniversary.  Below are two of the drawings from that display.  

For more information:  Instituto Cajal, Av. Doctor Arce, 37 28002, Madrid tel: 91 585 47 50 fax: 91 585 47 54



Drawing of NIH researcher Benjamin White's talk, marker on paper, 11" x 14", 2017.


Cajal's hands, microscope, pyramidal neuron, and mini self-portrait from his sketchbook juxtaposed with his retirement statement and design details from his Nobel Prize - the photographic source imagery was originally black and white. Color has been added and the color of the Nobel Prize design details has been altered, marker and pen on paper, 11" x 14."


Select work on display at the John Porter Neuroscience Research Center:

Cajal exhibition case for scientific drawings.


My work on display alongside Cajal's scientific drawing.

My portrait of Cajal, Man as Sunflower, graphite, ink and acrylic on paper, 11" x 14"


Savannah and Simulacra
I was honored to have my artwork, Secluded Play selected for the Simulacra exhibition at the Sulfur studios in Savannah, Georgia.  The show consisted of many works of diverse media, materials and themes. My works Vegas Garden and Secluded Play were both select for inclusion in the show.



Vegas Garden, graphite, pen, ink and acrylic on paper.

Secluded Play, graphite, pen and ink on paper.



New Websites!



Lastly, as I wrap up 2021 I am overhauling my website.  Within the process I realize that I have created too much work thus far in my lifetime to be featured on one website. Trying to organize it for one place has proved difficult and overwhelming. 

During March of 2021, because my current Cajal series is so comprehensive, I consolidated all of my Cajal portfolios on my parent website: www.dawnhunterart.com. 

I felt unsure what to do with my other portfolios, like Spectacle Spectacular, Personified Doubles & Complementary Opposites, Blue Cerberus, etc. I concluded that a sister website was in order. Thus, www.dawnhuntergallery.com was born. To eliminate confusion, I have branded both sites the same, linking back to each other. 

In addition to the portfolios I mentioned, I am also featuring new projects, like my Darcy Inventory, an installation selected for ArtFields 2022. I have also uploaded on the website my entire teaching portfolio at UofSC and included a curation of twelve other portfolios of my personal artwork, highlighting my Spectacle Spectacular series, that can be viewed:  HERE. Please visit both sites to browse and enjoy!

As we ring in the New Year, let us be reminded of these words of wisdom from Cajal:

"Time and concentration allow the intellect to perceive a ray of light in the darkness of the most complex problem."

― Santiago Ramón y Cajal, Advice for a Young Investigator

Have a Happy New Year everyone!  I wish you all lots of love, friendship, good health and great success during 2022!  XOXO



Dawn Hunter, December 2021

Monday, July 26, 2021

Sumptuous Summer Landscape

I am spending the summer feeding the artistic soul, senses, and sensual while relishing my time Plein air drawing and painting the luscious landscape at the Brooklyn Botanic Garden. Highlights from the visual adventures. 

Dawn Hunter, Brooklyn Botanic Garden, marker and pen on paper, 11" x 14," 2021


Dawn Hunter, Brooklyn Botanic Garden_2, marker and pen on paper, 11" x 14," 2021


Dawn Hunter, Brooklyn Botanic Garden_3, marker and pen on paper, 11" x 14," 2021







“consider the possibility that any man could, if he were so inclined, be the sculptor of his own brain, and that even the least gifted may, like the poorest land that has been well cultivated and fertilized, produce an abundant harvest.” 

― Santiago Ramón y Cajal


Friday, May 1, 2020

A Walk with Cajal among his Canopy of Trees


¡Feliz cumpleaños, Cajal!  (1 de mayo de 1852)  Hoy tomemos el tiempo para disfrutar de los placeres simples del sol, el aire fresco y los árboles. Y a todos, espero que tengan buena salud y seguridad durante este tiempo inusual.


Dawn Hunter, Cajal editing a student's thesis, La Residencia de Estudiantes, marker, pen and ink on paper, 11"x 14"


The writing below has been revised and updated to mirror the content of this topic on my website.  www.dawnhunterart.com:

For anyone who is a Cajalian, it is a personal journey. Cajal, this historical and monumental figure in neuroscience, can reach out and expose his humanity through his work, writings, and drawings in a simple, profound, and relatable manner. He accomplishes this by describing his painful childhood experiences, his self-deprecating humor regarding his ego, and the generosity he expressed to his students. When he is the most vulnerable is through his drawings. Despite the scientific intention – his beating heart, personal vulnerability, and passion of mind are communicated through his drawings' line quality. This ideographic expression is why so many of us recognize and perceive his drawings as art, and this quality is why his work continues to be discussed, emulated, and admired.

Cajal's first-person narrative in his biography, Recuerdos de mi Vida, makes one feel as though he is confiding exclusively in them over coffee at a cafe. He is transformed from the storyteller into the best friend of the favorite pupil. Through his written words from the encapsulated past, he springs alive into the present, becoming a privy partner in creative, intellectual, or objective quests. With humility and wisdom, like Siddhartha before him, he inspires the highest ideals of human capability in artistic expression and scientific research..

Some descendants of his disciples and family are fortunate individuals because they know him the best in many ways. Not as an ideal historical figure, but through those who were closest to Cajal. Their family and friends' real-life experiences interacting with him. Including stories that have been passed down through generations plus real "treasures," cherished, personal mementos from Cajal.

It was distressing when I arrived in Madrid at the Instituto Cajal, to conduct my Fulbright research, to learn the Cajal family home in Atocha was being remodeled into condominiums. Cajal had a direct hand in the house's design and final construction, thus the renovation felt like a great loss of historical significance. Seeking comfort, I conceived of a project which entailed retracing Cajal's afternoon walks in Retiro Park, Atocha, and at La Residencia de Estudiantes. On the weekends, with my daughter in tow, we would sit at the entrance of the Cajal home and draw the cityscape from that vantage point. My goal, to find sites and trees at places that were in existence when Cajal was alive and immerse myself. Through viewing the environments that are layered with the past intertwining with present as much as possible I sought to see through his perspective some of his day-to-day routine, thus creating my own momentos of Cajal.

― Dawn Hunter, March 2021



Dawn Hunter, Velazquez Paseo del Prado, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Monumento a Ramón y Cajal, Retiro, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Sunday Morning Meditation in Atocha, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Anthropology Museum, Atocha, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Retiro Park Evening Walk, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Retiro Park Evening Walk, II, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, View from the Front door of the Cajal Home, Madrid, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Drawing of the trees across from the Cajal home in Madrid, marker and pen on paper, 11" x 14"


Dawn Hunter, Drawing of Retiro park near the Cajal home in Madrid, Spain, marker and pen on paper, 11" x 14"


Dawn Hunter, Re-creation of Cajal's school photo badge and a "selfie" he took after returning to Spain from a tour as a military doctor in Cuba.  The plant foliage was drawn from the observation of plants that are at the Instituto Cajal, Madrid, marker and pen on paper, 11" x 14


Dawn Hunter, Drawing of the Observatory across from the Cajal home in Madrid, marker and pen on paper, 11" x 14


Dawn Hunter, Paseo del Prado, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Cajal's hands, microscope, pyramidal neuron, and mini self-portrait from his sketchbook juxtaposed with his retirement statement and design details from his Nobel Prize - the photographic source imagery was originally black and white.  Color has been added and the color of the Nobel Prize design details has been altered, marker and pen on paper, 11" x 14"