Monday, June 19, 2017
What better way than to spend the month of May? With Santiago Ramón y Cajal in Spain of course! - his birthday month, born May 1, 1852. A big thank you to Jeff Diamond, Juan De Carlos, Ricardo Martinez, Rosario Moratalla, and Fernando De Castro: It was a privilege to participate as a symposium speaker and exhibit my work about Ramón y Cajal at the Instituto Cajal in Madrid as part of the second annual collaborative symposium between the National Institute of Health, Bethesda, MD and the Instituto Cajal, Madrid, Spain. Below are some photos (and drawings) from the May 24th symposium in Spain and some of my new drawings completed this month at the NIH of Cajal's scientific drawings currently on display in the John Porter Neuroscience Research Center.
Dawn Hunter, Portrait of Cajal, marker and pen on paper, 11" x 14"
Dawn Hunter, Diana the Huntress, marker and pen on paper, 11" x 14"
Dawn Hunter, drawing of the Cajal statue in Retiro Park, Madrid, Spain, marker and pen on paper, 11" x 14"
The NIH participants from left to right: Jeff Diamond, Benjamin White, Bruno Averbeck, me and Yarimar Carrasquillo. Photo by Juan De Carlos.
Dawn Hunter, drawing of NIH researcher Benjamin White's talk, marker on paper, 11" x 14"
Dawn Hunter, drawing of NIH research Kenton Swartz's talk, marker and pen on paper, 11" x 14"
During the installation of my Cajal Inventory work at the Instituto Cajal. Photo by Julia Lohoff-Gaida. For more information on the Cajal Inventory work, click here: Cumulative Effect: Cajal Inventory drawings.
Dawn Hunter, study of Cajal's Intestinal Villi, Interstitial Cells of Cajal, marker and pen on paper, 11" x 14"
Dawn Hunter, drawing of Cajal's Development of Granule Cells in the Cerebellum, marker and pen on paper, 11" x 14"
Dawn Hunter, study of Cajal's Olfactory Bulb, marker and pen on paper, 11" x 14"
Dawn Hunter, study of Cajal's Diencephalic Nuclei, marker and pen on paper, 11" x 14"
Portrait of me with Cajal's Nobel Prize, photo by Ricardo Martínez.
Installation of the Cajal Inventory drawings at the Instituto Cajal, May 2017.
Saturday, March 18, 2017
I am tremendously honored, humbled, and excited to have been awarded a Fulbright Senior Research Fellowship to the Cajal Institute in Spain. I am looking forward to continuing my project and conducting research on Santiago Ramón y Cajal in Madrid! Many thanks to "all" who have encouraged my efforts (especially at the Cajal Institute!) and those who wrote letters of support: Juan De Carlos, Fernando De Castro, Peter Chametzky, Jeff Diamond, Jill Downen, and Laura Kissel.
On September 30, 2016, I posted on this blog my "Cajal Inventory" drawings, installed as one work comprised of forty five drawings. Those drawings have been used as the basis for a group of paintings, also identified as "Cajal Inventory." Completed works from the "Cajal Inventory" paintings can be found in this post. The works have been identified as "inventories" because within them I have compiled and fused imagery and narratives from his personal life, creative works, and scientific drawings. They are also identified as "inventories" as they represent my interpretation and impressions of the content of Ramón y Cajal's life and research. Images and ideas are layered in a surreal context which displaces linear time in favor of immersing one in the imagination inspired and conjured by Ramón y Cajal.
detail: Silveria: Head, Heart and Spine, acrylic on canvas, 2017
The University of South Carolina has one of the most beautiful campuses in the United States, so each spring and fall I have my students paint and draw on the Gibbes Green. Last spring while my students were working, I found on the campus trail some of the most exquisitely beautiful feathers in the light dark complementary contrast of yellow and purple - a pure color of yellow and a shade of purple. I am not sure what exactly happened to the poor bird, but judging from the condition of a couple of the feathers, it would seem as though the fowl had met a woeful, violent end facilitated by a predator. The feathers were too beautiful to leave, so I collected them and replicated Mother Nature's remarkable craft of complementary contrast for the base color of my "Cajal Inventory" paintings.
detail: Wren and Cerebellum, acrylic on canvas, 2017
Above, from left to right: 1) Complementary contrast feathers found on USC campus, 2) "Cajal Inventory" painting preliminary, and 3) "Cajal Inventory" color contrast preliminary in pure form
detail: Silveria in Sanguine, 2017
detail: Portrait of Cajal: Conquest in Solitude, acrylic on oval canvas, 2017
Photo of Dawn Hunter's studio, March 17, 2017
Portrait of Cajal: Conquest in Solitude, acrylic on oval canvas, 2017
"Cajal Inventory" preliminary studies: Portrait of Cajal: Conquest in Solitude, acrylic on oval canvas, 2017
Pyramidal Neuron Roots, acrylic on round canvas, 2017
"Cajal Inventory" preliminary studies: Pyramidal Neuron Roots, acrylic on round canvas, 2017
Pyramidal Neuron Roots: Using Cajal's oil painting "Shipwreck" as a starting point, Pyramidal Neuron Roots explores his fondness for romanticism, his infatuation with nature, and his passion for his research.
Wren and Cerebellum, acrylic on canvas, 2017
"Cajal Inventory" preliminary studies: Wren and Cerebellum, 2017
Wren and Cerebellum: The wren is an active bird: vibrant, alert, and efficient. A natural choice of image to juxtapose with the cerebellum, the little brain that, too, is vibrant, alert and efficient. Cajal's untangling and rendering of the human cerebellum was one of his finest and most important achievements as a histologist. I have discarded the contemporary medical reference of the latex surgical glove found on the hand in the preliminary drawing in favor of the natural hand in the painting. The physicality of the painting inspired a reference of "actual" touch.
detail: Silveria: Head, Heart and Spine, 2017
"Cajal Inventory" preliminary studies: Silveria: Head, Heart and Spine, 2017
Silveria: Head, Heart and Spine, acrylic on oil canvas, 2017
Head, Heart and Spine: Cajal took many, many photos of his wife Silveria, however, he would lament in his writings that he was never able to truly capture her beauty. In this work I am trying to highlight her natural beauty and to present her, too, as an idea juxtaposed in his imagination with the histology imagery of his work.
"Cajal Inventory" preliminary studies: Silveria in Sanguine, 2017
Silveria in Sanguine, acrylic on oval canvas, 2017
Silveria in Sanguine: Silvera is the hopeful and uplifting yellow -- sanguine, to the intense depths of Santiago's introspection that held company with his "butterflies." Ramón y Cajal’s marriage to Silveria Fañanás García is an example of a highly functional complementary pairing. Ramón y Cajal in choosing a mate selected a woman whose character attributes were what he perceived to be a “perfect” complement to his. In doing so, he believed that their union would be a great accomplishment or matrimonial disaster. He said publicly many times that he would not be Ramón y Cajal if it were not for his wife and he credits her greatly with making his work and the depth of his research possible. She incited his maximum vividness.
"Like the enotmologist in search of colorful butterflies, my attention has chased in the gardens of the grey matter cells with delicate and elegant shapes, the mysterious butterflies of the soul, whose beating of wings may one day reveal to us the secrets of the mind."
- Recollections of My Life, Santiago Ramón y Cajal
All of the "Cajal Inventory" preliminary studies have been created through a combination of researching Ramón y Cajal's biographies, photographs and observational drawing. The drawings that reference his scientific drawings have been created through a direct observation of his actual scientific drawings on display at the National Institute of Health, Bethesda, MD and the Berkeley Art Museum, Berkeley, CA.
Dawn Hunter, Cajal Inventory paintings installation, 2017