Showing posts with label Fulbright. Show all posts
Showing posts with label Fulbright. Show all posts

Tuesday, February 21, 2023

Trademarkin' Ain't Easy: The Artist's Guide to Intellectual Property (with apologies to the Notorious B.I.G.)

I'm thrilled to share that my trademark application for Dawn Hunter Art ® was approved on Valentine's Day, which made it even more special! Life has its poetry.

As an artist, safeguarding my brand and intellectual property is essential; obtaining a registered trademark is the key to achieving that. Applying for and obtaining a trademark can be quite intricate and lengthy, but the legal protection it provides is definitely worth the effort. I hired an attorney to make sure everything went smoothly.

If you're considering registering a trademark, whether you're planning to do it independently or with legal assistance, I've put together some helpful information below to help guide you.

Having a common name has posed challenges in protecting my artistic identity. I have experienced hurdles with Artificial Intelligence search algorithm errors and sometimes others taking credit for my work or falsely representing themselves as me, i.e. combining my credentials with their own or not correcting misattribution. These incidents have highlighted the importance of protecting my artistic identity through intellectual property measures such as registered copyrights and trademarks. By taking legal steps to secure my brand, I can prevent others from using my name or brand without permission and potentially damaging my reputation or career.


Dawn Hunter's academic study of Cajal's retina drawing, marker and pen on paper.


Types of Trademarks


A trademark is a distinct name, symbol, phrase, design, or other characteristics that set a product or service apart. When you secure a trademark, you obtain sole rights to associate the mark with your offerings, and it prevents others from using a comparable mark that might cause confusion or dilute your mark's worth.

The scope of a trademark depends on the nature of the mark itself and the goods or services it relates to, or it might protect a specific brand name tied to a product or a symbol linked to a company or group. A trademark could involve unique designs or color patterns in packaging or advertisements.

For those in the creative field, owning a registered trademark is vital for keeping their brand safe and stopping others from using their name, emblem, or other unique marks without permission. There are many reasons why artists need to consider registering their trademarks:
  • Brand awareness: A trademark plays a crucial role in establishing your brand's presence in the market, making it simpler for people to recognize your work and associate it with your products or services.
  • Legal safeguard: Securing a trademark registration offers you legal protection and the privilege to utilize the mark in commerce. This serves as a foundation for pursuing legal recourse against anyone who may try to exploit your mark without authorization or violate your intellectual property rights.
  • Opportunities for licensing: Holding a registered trademark paves the way for striking licensing agreements and forming collaborations with fellow artists, companies, or organizations eager to harness your brand for their own ventures.
  • Reputation defense: Registering your trademark also aids in preserving your reputation by stopping others from using your name or mark in ways that could harm your brand or create confusion in the market.

This is an image of Dawn Hunter's registered trademark logo

Above, Dawn Hunter's registered logo, and below, Dawn Hunter's registered word mark.


DAWN HUNTER ART ®


People can choose from an array of trademark options tailored to their unique business requirements and the kind of trademark they aim to secure. Keep in mind that certain trademarks may fall under more than one category.. For instance, a combination mark might consist of both a word mark and a design mark. In my experience, I registered Dawn Hunter Art® as both a word mark and a design mark, necessitating two separate applications, each with its own unique registration number.

Below is a list of some frequently encountered trademark types:

  • Word Mark: This trademark type is solely composed of text, such as a company name, slogan, or product name.
  • Design Mark: Consisting of a logo, image, or other visual design, this trademark type often works in tandem with a word mark to create a brand logo.
  • Combination Mark: This trademark type merges text and design elements, commonly used to develop a distinctive brand logo that includes both the company name and a visual component.
  • Service Mark: Protecting a service rather than a tangible product, this trademark type serves to identify and differentiate the source of a service in the market.
  • Collective Mark: Utilized by groups or organizations to identify their members or affiliates, this trademark type is popular among trade organizations and professional associations.
  • Certification Mark: This trademark type certifies that a product or service adheres to specific standards or quality levels, frequently seen in industries such as food or organic products.
  • Sound Mark: Comprising a unique sound or musical jingle, this trademark type identifies a product or service and is often employed in radio or television advertisements.


Above, Dawn Hunter's portrait of Santiago Ramón y Cajal in pyramidal neurons, marker, pen and ink on paper.


Trademark Process

Selecting the appropriate trademark to suit your specific requirements and offer optimal protection for your brand is essential. For instance, my trademark goes beyond my artwork's visual appearance or style, encompassing the educational aspects and the unique research I have conducted on long-term projects, such as my series and Fulbright research on Santiago Ramón y Cajal or my sabbatical project, Personified Doubles and Complementary Opposites.


In my opinion, it's crucial to collaborate with a seasoned trademark attorney to guarantee proper registration of your trademark and assist in safeguarding your intellectual property rights over time.

The trademark application process can be somewhat intricate, but it typically involves these steps:

  • Conduct a trademark search: Prior to applying for trademark registration, it's vital to conduct a comprehensive search of existing trademarks to ensure that your proposed trademark isn't already in use by another brand. This helps you avoid potential conflicts or legal issues later on.
  • Prepare and submit the application: After verifying that your trademark is available, you need to prepare and submit a trademark application to the relevant government agency. In the United States, this is usually the United States Patent and Trademark Office (USPTO). The application should include details about your trademark, such as the mark itself, the goods or services it represents, and the mark's owner.
  • Wait for the application review: Once your trademark application is filed, a trademark examiner, who is an attorney employed by the USPTO, will be assigned to review it and ensure it meets all registration requirements. This review process can take several months, depending on the queue and the complexity of your application.
  • Respond to any office actions: If the trademark examiner has concerns or questions about your application, they may issue an office action requesting additional information or revisions. It's important to respond promptly to these office actions to maintain your application's progress.
  • Obtain approval and registration: When a trademark application is approved by a USPTO examining attorney, it is published in the Official Gazette of the United States Patent and Trademark Office. This publication informs the public of your trademark application, allowing those with objections or oppositions to raise concerns due to conflicts with their marks. If concerns emerge, a legal proceeding takes place before the Trademark Trial and Appeal Board (TTAB), an administrative tribunal within the USPTO. The TTAB evaluates the opposition and determines whether to permit the trademark registration or deny it based on the opposition. If no concerns arise, your mark will be assigned a number and officially registered.

Navigating the trademark application process is complicated; seeking assistance from a knowledgeable trademark attorney is essential. They can answer your questions and handle the application for you. This will ensure errors aren't made, or details are overlooked. Their guidance will help ensure the best possible outcome for your application.



A view of artist Dawn Hunter's exhibition at the Delaware Contemporary Art Center
Above, photos from my exhibition Personified Doubles and Complementary Opposites. Below, detail of a centerpiece artwork from the show, Art Department.

This is a detail of artist Dawn Hunter's painting, Art Department


Conclusion 


Securing a registered trademark has been a vital step for me in safeguarding my artistic brand and fortifying my intellectual property rights. Although the process might seem overwhelming, I urge fellow artists to take this essential stride in defending their work and professional personas. Don't let apprehension about the unknown or the perceived hassle of the application process deter you from shielding your creations. With the legal protection that trademark registration affords, you can rest easy knowing that your dedication and skills are well protected. As artists, our distinct voices and outlooks warrant both acknowledgment and defense. Let's embrace our artistry and preserve our creative legacies through intellectual property rights.




Above, Dawn Hunter's mixed media painting, A Dream in August, marker, ink and acrylic on paper.


Resources


Below are a list of few resources that can help as you progress your trademark application.


Friday, December 31, 2021

2021 Highlights Review: Brooklyn, Cajal, Las Vegas, Simulacra, and New Websites - oh my!

Dawn Hunter, nine square reflection of 2021 featuring my portraits of Cajal and recreations of his scientific illustrations. All images are marker, pen and ink on paper that I created about Cajal through researching his scientific drawings on display at the National Institutes of Health, and other primary sources as a Fulbright Scholar at the Instituto Cajal.


Brooklyn Botanical Gardens

I focused time and creative energy on self-care this past calendar year. During the summer, I drove from South Carolina to Brooklyn, New York to immerse myself in the city and the natural beauty of the Brooklyn Botanic Gardens and draw. This past summer, other terrific events were happening in New York, like the Cézanne exhibition at MoMA. Taking in different cultural events was enriching, but I found my time drawing at the BBG to be the most spiritually, emotionally and creatively replenishing.


Brooklyn Botanic Garden, marker and pen on paper, 11" x 14"


Japanese Garden, Brooklyn Botanic Garden, marker and 
pen on paper, 11" x 14"


Me, sweltering in the heat, but loving it, while drawing 
at the BBG.  June 2021.


2021 and Aesthetic Instincts: The Intersection of Art and Science

I have continued my artistic journey with Santiago Ramón y Cajal.  Despite the challenges of the pandemic, 2021 has been an extremely productive year.  I have continued an active engagement in my artistic series about Cajal.  To that end, new opportunities include:  selections from that series were featured in the international publication UpperCase (featured July 28 on this blog in the ¡Muchas gracias! post), I had a solo exhibition of the entire series in Las Vegas, and works from the series were chosen as featured artwork in the 75th Anniversary Exhibition for the Fulbright Foundation (held online). 

I presented a lecture about Santiago Ramón y Cajal to CSN students, faculty and the general public of the greater Las Vegas area on October 19, 2021. 



View of my exhibition at the College of Southern Nevada, Las Vegas


The evening of my lecture, October 19, 2021


75th Anniversary Fulbright online, juried and curated, Exhibition:

It was an honor to have my work selected and featured in the 75th Anniversary of the Fulbright Foundation.  The time I spent at the Instituto Cajal was priceless and life changing.  When I began this series, I never dreamed that I would have access to his original journals, sketchbooks, personal photographs, histology slides, scientific equipment and personal objects.  You can learn more about the Fulbright exhibition by clicking:  HERE.

Re-creation of pages from Cajal's first sketchbook from Valencia, marker and pen on paper, 11" x 14"

Drawing Cajal's death mask, Instituto Cajal, Madrid, Spain.

Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, Instiuto Cajal, Madrid, Spain.


100th Anniversary of the Instituto Cajal!
Continuing opportunities include that in celebration of the 100 anniversary of the Instituto Cajal, my work has continued to be displayed at the Instituto Cajal.  My work also continues to be displayed alongside Cajal’s work at the National Institutes of Health.

I currently have 10 drawings from my Fulbright research on display at the Instituto Cajal in celebration of its 100th Anniversary.  Below are two of the drawings from that display.  

For more information:  Instituto Cajal, Av. Doctor Arce, 37 28002, Madrid tel: 91 585 47 50 fax: 91 585 47 54



Drawing of NIH researcher Benjamin White's talk, marker on paper, 11" x 14", 2017.


Cajal's hands, microscope, pyramidal neuron, and mini self-portrait from his sketchbook juxtaposed with his retirement statement and design details from his Nobel Prize - the photographic source imagery was originally black and white. Color has been added and the color of the Nobel Prize design details has been altered, marker and pen on paper, 11" x 14."


Select work on display at the John Porter Neuroscience Research Center:

Cajal exhibition case for scientific drawings.


My work on display alongside Cajal's scientific drawing.

My portrait of Cajal, Man as Sunflower, graphite, ink and acrylic on paper, 11" x 14"


Savannah and Simulacra
I was honored to have my artwork, Secluded Play selected for the Simulacra exhibition at the Sulfur studios in Savannah, Georgia.  The show consisted of many works of diverse media, materials and themes. My works Vegas Garden and Secluded Play were both select for inclusion in the show.



Vegas Garden, graphite, pen, ink and acrylic on paper.

Secluded Play, graphite, pen and ink on paper.



New Websites!



Lastly, as I wrap up 2021 I am overhauling my website.  Within the process I realize that I have created too much work thus far in my lifetime to be featured on one website. Trying to organize it for one place has proved difficult and overwhelming. 

During March of 2021, because my current Cajal series is so comprehensive, I consolidated all of my Cajal portfolios on my parent website: www.dawnhunterart.com. 

I felt unsure what to do with my other portfolios, like Spectacle Spectacular, Personified Doubles & Complementary Opposites, Blue Cerberus, etc. I concluded that a sister website was in order. Thus, www.dawnhuntergallery.com was born. To eliminate confusion, I have branded both sites the same, linking back to each other. 

In addition to the portfolios I mentioned, I am also featuring new projects, like my Darcy Inventory, an installation selected for ArtFields 2022. I have also uploaded on the website my entire teaching portfolio at UofSC and included a curation of twelve other portfolios of my personal artwork, highlighting my Spectacle Spectacular series, that can be viewed:  HERE. Please visit both sites to browse and enjoy!

As we ring in the New Year, let us be reminded of these words of wisdom from Cajal:

"Time and concentration allow the intellect to perceive a ray of light in the darkness of the most complex problem."

― Santiago Ramón y Cajal, Advice for a Young Investigator

Have a Happy New Year everyone!  I wish you all lots of love, friendship, good health and great success during 2022!  XOXO



Dawn Hunter, December 2021

Wednesday, July 28, 2021

¡Muchas gracias!

A big thank you to Janine from #Uppercase for including artwork from my Cajal project in the 50th Issue, Visualizing Science.  I was so thrilled to receive the print issue - it's beautiful!  View the issue here: @uppercasemag.


"The brain is a world consisting of a number of unexplored continents and great stretches of unknown territory."

― Santiago Ramón y Cajal

Dawn Hunter, Re-creation of pages from Cajal's first sketchbook from Valencia, marker and pen on paper, 11" x 14"




Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, 
Instiuto Cajal, Madrid, Spain.



More work can be viewed at:  Cajal Project: The Fulbright Experience

Learn more about this work here:  Communing and Giggling with Cajal 

Order your copy of the 50th edition, Visualizing Science here:  UPPERCASE


Thursday, April 29, 2021

Birthday Amusements: Cajal Tweets Freud

On the advent of Cajal's birthday (1 de mayo de 1852), I have been amusing myself by imagining Cajal's reaction to two things.

First, the Psychology Department at UofSC commissioned a Founders of Psychology mural  painted by a colleague, Marius Valdes. The mural includes great pioneers from Psychology disciplines. The first time I saw it, I got a good chuckle because included among the featured figures was Cajal, but not Freud. Cajal disliked Freud and disagreed with his theories. He invested a great deal of time recording his dreams to disprove Freud.  Ultimately, Cajal decided that what he had did not merit publishing. 


Founders of Psychology Mural, UoSC Psychology Department, by Marius Valdes:  http://mariusvaldes.com/#/usc-dept-of-psych/


Second, I recently ran across the interview Freud gave in 1934, where he proclaimed that he was by nature an artist.   It was published in August of 1934. I wonder if Cajal ever saw it. If so, from the perspective of someone who was truly an artist, did he get a good laugh from it before his death in October of that same year? . . . . How, if given the opportunity would he respond in a tweet?


Digitally Fabricated Tweet by Dawn Hunter, Birthday Card Comedy for Cajal, April 29, 2021.  #neildegrassetyson  #steakumms

"Everybody thinks that I stand by the scientific character of my work and that my principal scope lies in curing mental maladies. This is a terrible error that has prevailed for years and that I have been unable to set right. I am a scientist by necessity, and not by vocation. I am really by nature an artist...My books, in fact, more resemble works of imagination than treatises on pathology." -Freud quote from Giovanni Papini interview, August, 1934.


Cajal, I am sure, would be much more gracious than my featured comedy routine above. All too often in our digital age powerful political and business leaders clashing on social media can be daunting, demoralizing, and cringe worthy. It is more fun imagining historical figures from the past colliding in the ether.

If you have not had a chance to see my new web site, please take a moment to check it out.  Here is a link to one of my Cajal Portfolio pages highlighting my experiences at the Cajal Institute as a Fulbright Scholar:  The Fulbright Experience.


S

antiago Ramón y Cajal, top Dawn Hunter, bottom.

Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, Instiuto Cajal, Madrid, Spain.


Friday, May 1, 2020

A Walk with Cajal among his Canopy of Trees


¡Feliz cumpleaños, Cajal!  (1 de mayo de 1852)  Hoy tomemos el tiempo para disfrutar de los placeres simples del sol, el aire fresco y los árboles. Y a todos, espero que tengan buena salud y seguridad durante este tiempo inusual.


Dawn Hunter, Cajal editing a student's thesis, La Residencia de Estudiantes, marker, pen and ink on paper, 11"x 14"


The writing below has been revised and updated to mirror the content of this topic on my website.  www.dawnhunterart.com:

For anyone who is a Cajalian, it is a personal journey. Cajal, this historical and monumental figure in neuroscience, can reach out and expose his humanity through his work, writings, and drawings in a simple, profound, and relatable manner. He accomplishes this by describing his painful childhood experiences, his self-deprecating humor regarding his ego, and the generosity he expressed to his students. When he is the most vulnerable is through his drawings. Despite the scientific intention – his beating heart, personal vulnerability, and passion of mind are communicated through his drawings' line quality. This ideographic expression is why so many of us recognize and perceive his drawings as art, and this quality is why his work continues to be discussed, emulated, and admired.

Cajal's first-person narrative in his biography, Recuerdos de mi Vida, makes one feel as though he is confiding exclusively in them over coffee at a cafe. He is transformed from the storyteller into the best friend of the favorite pupil. Through his written words from the encapsulated past, he springs alive into the present, becoming a privy partner in creative, intellectual, or objective quests. With humility and wisdom, like Siddhartha before him, he inspires the highest ideals of human capability in artistic expression and scientific research..

Some descendants of his disciples and family are fortunate individuals because they know him the best in many ways. Not as an ideal historical figure, but through those who were closest to Cajal. Their family and friends' real-life experiences interacting with him. Including stories that have been passed down through generations plus real "treasures," cherished, personal mementos from Cajal.

It was distressing when I arrived in Madrid at the Instituto Cajal, to conduct my Fulbright research, to learn the Cajal family home in Atocha was being remodeled into condominiums. Cajal had a direct hand in the house's design and final construction, thus the renovation felt like a great loss of historical significance. Seeking comfort, I conceived of a project which entailed retracing Cajal's afternoon walks in Retiro Park, Atocha, and at La Residencia de Estudiantes. On the weekends, with my daughter in tow, we would sit at the entrance of the Cajal home and draw the cityscape from that vantage point. My goal, to find sites and trees at places that were in existence when Cajal was alive and immerse myself. Through viewing the environments that are layered with the past intertwining with present as much as possible I sought to see through his perspective some of his day-to-day routine, thus creating my own momentos of Cajal.

― Dawn Hunter, March 2021



Dawn Hunter, Velazquez Paseo del Prado, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Monumento a Ramón y Cajal, Retiro, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Sunday Morning Meditation in Atocha, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Anthropology Museum, Atocha, marker, pen and ink on paper, 11" x 14"


Dawn Hunter, Retiro Park Evening Walk, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Retiro Park Evening Walk, II, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, View from the Front door of the Cajal Home, Madrid, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Drawing of the trees across from the Cajal home in Madrid, marker and pen on paper, 11" x 14"


Dawn Hunter, Drawing of Retiro park near the Cajal home in Madrid, Spain, marker and pen on paper, 11" x 14"


Dawn Hunter, Re-creation of Cajal's school photo badge and a "selfie" he took after returning to Spain from a tour as a military doctor in Cuba.  The plant foliage was drawn from the observation of plants that are at the Instituto Cajal, Madrid, marker and pen on paper, 11" x 14


Dawn Hunter, Drawing of the Observatory across from the Cajal home in Madrid, marker and pen on paper, 11" x 14


Dawn Hunter, Paseo del Prado, pen, ink and acrylic on paper, 11" x 14"


Dawn Hunter, Cajal's hands, microscope, pyramidal neuron, and mini self-portrait from his sketchbook juxtaposed with his retirement statement and design details from his Nobel Prize - the photographic source imagery was originally black and white.  Color has been added and the color of the Nobel Prize design details has been altered, marker and pen on paper, 11" x 14"