Showing posts with label SciArt. Show all posts
Showing posts with label SciArt. Show all posts

Saturday, February 12, 2022

Your Cheatin' Heart

You can copyright your PowerPoint or professional presentations and probably should. How? What copyright registration format? This blog post examines the definition of plagiarism and the impact of internet access; plus lists the instructions on how to register your PowerPoint or professional presentation under the Motion Picture/Audio and Visual work through the Copyright Office of the United States Government.


What is plagiarism?

"Plagiarius" is the Latin root for plagiarism, and it means kidnapper or someone who steals children by capturing them in a net or a plaga. The word arose from ancient human behavior. Internet access has been identified as a leading "culprit" in the rise of plagiarism, so the metaphor for contemporary human behavior is not lost in its linguistic origins. ORI (Office of Research Integrity) has defined plagiarism as: "Appropriating someone else's idea (e.g., an explanation, a theory, a conclusion, a hypothesis, a metaphor) in whole or in part, or with superficial modifications without giving credit to its originator."


Strictly speaking, PowerPoints and professional presentations are automatically copyrighted when they are created; however, you can register your presentation with the Copyright Office of your nation. Presenting a PowerPoint at a professional meeting is considered a form of publication. Registering your PowerPoint presentation will ensure that you can take legal recourse if the content is plagiarized, i.e., original concepts, images, and scripted content appear, without proper citation, in someone else's work: presentations, published articles, books, blogs, websites, etc.


Comprised of Taylor & Francis, Routledge, CRC Press, F1000 Research, and Dovepress, top publishers Taylor & Francis has an entire web page devoted to various plagiarism topics, such as types of plagiarism, detecting and avoiding it. They have provided a precise definition for writers in their online content Author Services, defining the matter as the following: "For Taylor & Francis journals, this applies to data, images, words or ideas taken from any materials in electronic or print formats without sufficient attribution. This can include:

  • abstracts,
  • seminar presentations,
  • laboratory reports,
  • thesis or dissertation,
  • research proposals,
  • computer programs,
  • online posts,
  • grey literature,
  • unpublished or published manuscripts.

The use of any such material either directly or indirectly should be properly acknowledged in all instances. You should always cite your source (please see 'How to avoid plagiarism' below)."


Plagiarism is common in all professions and occurs at all professional levels. Statistically, men tend to plagiarize more than women. Biological sciences in academia have the highest academic misconduct rate, which includes lifting content from others, falsely reporting data, and fabricating information or outcomes of experiments. 


In the 2013 paper, Males Are Overrepresented among Life Science Researchers Committing Scientific Misconduct, Dr. Ferric C. Fang, Dr. Joan W. Bennett, and Dr. Arturo Casadevall examine retracted articles indexed by PubMed written by biomedical and life science authors. Their study explored plagiarism, fraud (10-fold increase since 1975), duplicate publication, research error, journal error, other reasons (e.g., unresolved authorship conflict), and unknown reasons. Their study found that most retracted articles were the result of misconduct.


This graph is from the 2013 article Males Are Overrepresented among Life Science Researchers Committing Scientific Misconduct The graph comprises information that reflects the ORI definition of research misconduct. It includes fabrication, falsification, and plagiarism. The graph is reproduced here with permission from Dr. Ferric C. Fang and Dr. Arturo Casadevall.


In the paper Factors influencing plagiarism in higher education: A comparison of German and Slovene students, Eva Jerad et al. concluded that the field is level among both genders and nationalities. They determined through their study which included 485 participants that digital technology and access to content through the internet was the main driving force. In their paper, they cited three published definitions of plagiarism: "Perrin, Larkham, and Culwin define plagiarism as the use of an author's words, ideas, reflections and thoughts without proper acknowledgment of the author. Koul et al. define plagiarism as a form of cheating and theft since in cases of plagiarism, one person takes credit for another person's intellectual work. According to Fishman, 'Plagiarism occurs when someone: 1) uses words, ideas, or work products; 2) attributable to another identifiable person or source; 3) without attributing the work to the source from which it was obtained; 4) in a situation in which there is a legitimate expectation of original authorship; 5) in order to obtain some benefit, credit, or gain which need not be monetary.'"


We have examined several definitions of plagiarism from individuals and organizations within this post. Despite the form of original content format, e.g. PowerPoint, and the manifestation of the plagiarized content, e.g., book chapter, the consensus is if the content is an "intellectual work product" of another without proper attribution to the origin (whether written, spoken, performed or visual), it is plagiarism. While full of ideas, your PowerPoint is not simply "an idea." It manifests the development of ideas and is a completed work in the Audio and Visual format.


Contemporary audiences attending presentations are equipped with smartphone cameras, linked to the internet, and are sometimes actively engaged with social media platforms like Twitter. During or after a presentation, the content of professional PowerPoint presentations aren't confined to a conference or symposium audience. Novel and innovative ideas, images of original research, or unique conceptual content can be instantaneously shared, liked, and re-shared with thousands. This rapid-fire sharing can occur with or without the author's knowledge or consent and thus create research vulnerabilities. However, there are perks, too. Engagement in sharing content immediately with a broad and diverse audience can also be advantageous. Meaningful research connections can be made. Therefore, the potential for unexpected input through new collaborative relationships can foster a robust research outcome.




Above: Images from my presentation, Content and Form: Cajal's Unique Visual Language, September 29, 2017, at the National Congress of Spanish Neuroscience (SENC 2017.) Neuroscientist Dr. Carmen Agustin, Tweeted about my presentation during my talk. In her Tweets, she demonstrated professional etiquette: documented the event, showed the timeline of the ideas in the PowerPoint, and made clear that the ideas were developed from my research. Tweet thread translation, left Tweet: Dawn Hunter comparing the works of Golgi and Cajal: "Cajal draws what he sees, Golgi tries to fit what he sees into his idea." Top right Tweet: "Cajal drew with continuous lines; surely due to the influence of his maternal grandfather, a weaver." Middle right Tweet, where I present my theory "Dürer's influence on Cajal's photos." Bottom right Tweet: Dawn Hunter first recreated Cajal's drawings [through observing the primary source]; then, she has created her own works based on them. Photos and Tweets courtesy of Dr. Mari Carmen Agustin Pavon.



Above: My presentation at SENC 2017 Content and Form:  Cajal’s Unique and Inventive Visual Language, September 29, 2017, Alicante, Spain. Photo courtesy of Fernando De Castro Soubriet.


Not all passive observers possess integrity, and some can be opportunistic with the content of your work. Other times, because they viewed it on the internet, people will erroneously mistake your academic scholarship as belonging to the public domain. That is unfortunate, but it is their responsibility to clarify the origin of content before using it. Therefore, taking steps to register for your presentation is a must. It will protect your research and define the source of unique concepts and content if your research makes its way into someone else's work without a proper citation.



Information and Steps to Copyright your presentation:

What does the copyright of your PowerPoint cover?  Your content: your expression of ideas (organization, sequence, and context), scripted text that you have written that appears visually on the slide, scripted text you wrote but spoke during the presentation as it appears in your PowerPoint slide notes, and any original figures (jpegs., graphs, tables, etc.) you created for the presentation.

What your PowerPoint or presentation copyright will not cover? Photographs that are copyrighted by someone else or an organization, images that are in the public domain, or scripted text written by or copyrighted by another person, quotes or scripted text from the public domain, and figures where others hold the copyright or are from the public domain (jpegs., graphs, tables, etc.) 

How much does it cost? $65.00


Above: Slide from from my presentation, Content and Form: Cajal's Unique Visual Language, September 29, 2017 at the National Congress of Spanish Neuroscience (SENC 2017.) Red arrows indicate what will not be covered and the green arrows indicate what will be covered.


Steps to follow:
Below are the steps to follow in order to copyright register a single author PowerPoint or professional presentation in the United States. There are a few extra steps that need to be taken for multiple authors, but that is not covered in this post:

  • Visit https://copyright.gov/registration/. Select the type of work that you wish to register: literary works, visual arts, other digital content, motion pictures, or photographs. If you are registering a PowerPoint, select Motion Pictures. You will be prompted to login in or create an ECO ID account.
  • Check standard application and start registration for one work. (You can register unpublished works in groups or batches, but that is not going to be covered in this post.)
  • You will then be taken to the online form. From the drop down menu select the Type of Work, choose Motion Picture/Audio and Visual work and confirm that it best describes what you are trying to register.


  • You will proceed to the title sections. From the drop down menu select Title of Work Being Registered and Title of this Work box below, list the title of the work.
  • For Publication Completion, check yes for the question if it has been publish before. For example, if you have presented it at a professional meeting or distributed it electronically or publicly on the web. If it is unpublished, check or no. If it has been published, there will be prompts to complete indicating which country and the date. It also has a section to fill in if there is a pre-existing registration number in the event your work was registered outside in a foreign country prior to the United States. If it was presented outside of the United States, but not registered outside of the United States, leave that section blank.
  • Check "Add me" for the following categories: List Authors, Claimant, Limitation of Claim, Rights & Permissions, Correspondent, and Mail Certificate.  Please note, under Limitation of Claim in addition to adding yourself, you will need to indicate what content is excluded from the registration, e.g., figures or text you have not authored.

  • Special Handling can be left blank. However if you are pursuing legal litigation and have a pending court case or other dispute, customs matters, or a contract or publishing deadline, check the appropriate category and explain the reason in the space provided. Keep in mind that Special Handing will increase the cost of your claim by $760.00, thus the total application fee could be as much as $825.00.
  • Once the form is filled out you will certify that everything you have submitted is true. You will have the opportunity to review and correct your application. When you complete your review and corrections as needed, add your application to the cart and proceed to check out. You will be taken off site to submit your $65.00 non-refundable payment. 


  • Once your payment is completed, you will then be able to submit the work that you want to register for review. Select the Submit Work tab and follow the instructions. You can submit your PowerPoint or professional presentation electronically (recommended) or print it and mail in a hard copy of it. If you submit your work electronically, take time to review the specifications for file size restrictions and recommended files. For any type of professional presentation, I recommend a PDF. If you select that you wish to mail in a hard copy of the for review, you will need to select "generate a label." A label will be generated that you must attach to the work you mail directly to the United States Copyright Office.

Best of luck registering your work. Stay tuned - please visit this blog again in the future. I will be posting about how to copyright individual artworks, batches of artworks, photographs, blogs, websites, literary works and more!



Bibliography:

Singer: Hank Williams, Song Writer: Hank Williams, Your, Cheatin' Heart, A-side Kaw-liga, MGM K 11416-B, 1952. Producer: Fred Rose.


Fang FC, Bennett JW, Casadevall A. Males are overrepresented among life science researchers committing scientific misconduct. mBio. 2013 Jan 22;4(1):e00640-12. doi: 10.1128/mBio.00640-12. PMID: 23341553; PMCID: PMC3551552.


Jereb, E., Perc, M., Lämmlein, B., Jerebic, J., Urh, M., Podbregar, I., & Šprajc, P. (2018). Factors influencing plagiarism in higher education: A comparison of German and Slovene students. PloS one13(8), e0202252. https://doi.org/10.1371/journal.pone.020225

Friday, December 31, 2021

2021 Highlights Review: Brooklyn, Cajal, Las Vegas, Simulacra, and New Websites - oh my!

Dawn Hunter, nine square reflection of 2021 featuring my portraits of Cajal and recreations of his scientific illustrations. All images are marker, pen and ink on paper that I created about Cajal through researching his scientific drawings on display at the National Institutes of Health, and other primary sources as a Fulbright Scholar at the Instituto Cajal.


Brooklyn Botanical Gardens

I focused time and creative energy on self-care this past calendar year. During the summer, I drove from South Carolina to Brooklyn, New York to immerse myself in the city and the natural beauty of the Brooklyn Botanic Gardens and draw. This past summer, other terrific events were happening in New York, like the Cézanne exhibition at MoMA. Taking in different cultural events was enriching, but I found my time drawing at the BBG to be the most spiritually, emotionally and creatively replenishing.


Brooklyn Botanic Garden, marker and pen on paper, 11" x 14"


Japanese Garden, Brooklyn Botanic Garden, marker and 
pen on paper, 11" x 14"


Me, sweltering in the heat, but loving it, while drawing 
at the BBG.  June 2021.


2021 and Aesthetic Instincts: The Intersection of Art and Science

I have continued my artistic journey with Santiago Ramón y Cajal.  Despite the challenges of the pandemic, 2021 has been an extremely productive year.  I have continued an active engagement in my artistic series about Cajal.  To that end, new opportunities include:  selections from that series were featured in the international publication UpperCase (featured July 28 on this blog in the ¡Muchas gracias! post), I had a solo exhibition of the entire series in Las Vegas, and works from the series were chosen as featured artwork in the 75th Anniversary Exhibition for the Fulbright Foundation (held online). 

I presented a lecture about Santiago Ramón y Cajal to CSN students, faculty and the general public of the greater Las Vegas area on October 19, 2021. 



View of my exhibition at the College of Southern Nevada, Las Vegas


The evening of my lecture, October 19, 2021


75th Anniversary Fulbright online, juried and curated, Exhibition:

It was an honor to have my work selected and featured in the 75th Anniversary of the Fulbright Foundation.  The time I spent at the Instituto Cajal was priceless and life changing.  When I began this series, I never dreamed that I would have access to his original journals, sketchbooks, personal photographs, histology slides, scientific equipment and personal objects.  You can learn more about the Fulbright exhibition by clicking:  HERE.

Re-creation of pages from Cajal's first sketchbook from Valencia, marker and pen on paper, 11" x 14"

Drawing Cajal's death mask, Instituto Cajal, Madrid, Spain.

Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, Instiuto Cajal, Madrid, Spain.


100th Anniversary of the Instituto Cajal!
Continuing opportunities include that in celebration of the 100 anniversary of the Instituto Cajal, my work has continued to be displayed at the Instituto Cajal.  My work also continues to be displayed alongside Cajal’s work at the National Institutes of Health.

I currently have 10 drawings from my Fulbright research on display at the Instituto Cajal in celebration of its 100th Anniversary.  Below are two of the drawings from that display.  

For more information:  Instituto Cajal, Av. Doctor Arce, 37 28002, Madrid tel: 91 585 47 50 fax: 91 585 47 54



Drawing of NIH researcher Benjamin White's talk, marker on paper, 11" x 14", 2017.


Cajal's hands, microscope, pyramidal neuron, and mini self-portrait from his sketchbook juxtaposed with his retirement statement and design details from his Nobel Prize - the photographic source imagery was originally black and white. Color has been added and the color of the Nobel Prize design details has been altered, marker and pen on paper, 11" x 14."


Select work on display at the John Porter Neuroscience Research Center:

Cajal exhibition case for scientific drawings.


My work on display alongside Cajal's scientific drawing.

My portrait of Cajal, Man as Sunflower, graphite, ink and acrylic on paper, 11" x 14"


Savannah and Simulacra
I was honored to have my artwork, Secluded Play selected for the Simulacra exhibition at the Sulfur studios in Savannah, Georgia.  The show consisted of many works of diverse media, materials and themes. My works Vegas Garden and Secluded Play were both select for inclusion in the show.



Vegas Garden, graphite, pen, ink and acrylic on paper.

Secluded Play, graphite, pen and ink on paper.



New Websites!



Lastly, as I wrap up 2021 I am overhauling my website.  Within the process I realize that I have created too much work thus far in my lifetime to be featured on one website. Trying to organize it for one place has proved difficult and overwhelming. 

During March of 2021, because my current Cajal series is so comprehensive, I consolidated all of my Cajal portfolios on my parent website: www.dawnhunterart.com. 

I felt unsure what to do with my other portfolios, like Spectacle Spectacular, Personified Doubles & Complementary Opposites, Blue Cerberus, etc. I concluded that a sister website was in order. Thus, www.dawnhuntergallery.com was born. To eliminate confusion, I have branded both sites the same, linking back to each other. 

In addition to the portfolios I mentioned, I am also featuring new projects, like my Darcy Inventory, an installation selected for ArtFields 2022. I have also uploaded on the website my entire teaching portfolio at UofSC and included a curation of twelve other portfolios of my personal artwork, highlighting my Spectacle Spectacular series, that can be viewed:  HERE. Please visit both sites to browse and enjoy!

As we ring in the New Year, let us be reminded of these words of wisdom from Cajal:

"Time and concentration allow the intellect to perceive a ray of light in the darkness of the most complex problem."

― Santiago Ramón y Cajal, Advice for a Young Investigator

Have a Happy New Year everyone!  I wish you all lots of love, friendship, good health and great success during 2022!  XOXO



Dawn Hunter, December 2021

Wednesday, July 28, 2021

¡Muchas gracias!

A big thank you to Janine from #Uppercase for including artwork from my Cajal project in the 50th Issue, Visualizing Science.  I was so thrilled to receive the print issue - it's beautiful!  View the issue here: @uppercasemag.


"The brain is a world consisting of a number of unexplored continents and great stretches of unknown territory."

― Santiago Ramón y Cajal

Dawn Hunter, Re-creation of pages from Cajal's first sketchbook from Valencia, marker and pen on paper, 11" x 14"




Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, 
Instiuto Cajal, Madrid, Spain.



More work can be viewed at:  Cajal Project: The Fulbright Experience

Learn more about this work here:  Communing and Giggling with Cajal 

Order your copy of the 50th edition, Visualizing Science here:  UPPERCASE


Thursday, April 29, 2021

Birthday Amusements: Cajal Tweets Freud

On the advent of Cajal's birthday (1 de mayo de 1852), I have been amusing myself by imagining Cajal's reaction to two things.

First, the Psychology Department at UofSC commissioned a Founders of Psychology mural  painted by a colleague, Marius Valdes. The mural includes great pioneers from Psychology disciplines. The first time I saw it, I got a good chuckle because included among the featured figures was Cajal, but not Freud. Cajal disliked Freud and disagreed with his theories. He invested a great deal of time recording his dreams to disprove Freud.  Ultimately, Cajal decided that what he had did not merit publishing. 


Founders of Psychology Mural, UoSC Psychology Department, by Marius Valdes:  http://mariusvaldes.com/#/usc-dept-of-psych/


Second, I recently ran across the interview Freud gave in 1934, where he proclaimed that he was by nature an artist.   It was published in August of 1934. I wonder if Cajal ever saw it. If so, from the perspective of someone who was truly an artist, did he get a good laugh from it before his death in October of that same year? . . . . How, if given the opportunity would he respond in a tweet?


Digitally Fabricated Tweet by Dawn Hunter, Birthday Card Comedy for Cajal, April 29, 2021.  #neildegrassetyson  #steakumms

"Everybody thinks that I stand by the scientific character of my work and that my principal scope lies in curing mental maladies. This is a terrible error that has prevailed for years and that I have been unable to set right. I am a scientist by necessity, and not by vocation. I am really by nature an artist...My books, in fact, more resemble works of imagination than treatises on pathology." -Freud quote from Giovanni Papini interview, August, 1934.


Cajal, I am sure, would be much more gracious than my featured comedy routine above. All too often in our digital age powerful political and business leaders clashing on social media can be daunting, demoralizing, and cringe worthy. It is more fun imagining historical figures from the past colliding in the ether.

If you have not had a chance to see my new web site, please take a moment to check it out.  Here is a link to one of my Cajal Portfolio pages highlighting my experiences at the Cajal Institute as a Fulbright Scholar:  The Fulbright Experience.


S

antiago Ramón y Cajal, top Dawn Hunter, bottom.

Re-creation of inside back cover of Cajal's first sketchbook from Valencia, Fulbright Espana, Instiuto Cajal, Madrid, Spain.